Little more remains to be said of Raleigh’s Magi who have been thus shown to be hand and glove in working out these interesting episodes of French and English colonial history. To Hakluyt, Le Moyne, White, De Bry and Hariot, Raleigh owes an undivided and indivisible debt of gratitude for the prominent niche which he achieved in the world’s history, especially in that of England and America ; while to Raleigh’s liberal heart and boundless enterprise must be ascribed a generous share of the reputation achieved by his Magi in both hemispheres. Of Hakluyt and De Bry little more need be said here. They both hewed out their own fortunes and recorded them on the pages of history, the one with his pen, the other with his graver. If at times ill informed bibliographers who have got beyond their depth fail to discern its merits, and endeavour to deny or depreciate De Bry’s Collection, charging it with a want of authenticity and historic truth, it is hoped that enough has been said here to vindicate at least the first two parts, Virginia and Florida. The remaining parts, it is believed, can be shown to be of equal authority. Whoever compares the original drawings of Le Moyne and White with the engravings of De Bry, as one may now do in the British Museum, must be convinced that, beautiful as De Bry’s work is, it seems tame in the presence of the original water-colour drawings. There is no exaggeration in the engravings. Le Moyne’s name has not found its way into modern dictionaries of art or biography, but he was manifestly an artist of great merit and a man of good position. In addition to what is given above it may be added that a considerable number of his works is still in existence, and it is hoped will hereafter be duly appreciated. In the print-room of the British Museum are two of his drawings, highly finished in water-colours, being unquestionably the originals of plates eight and forty-one of De Bry’s Florida. They are about double the size of the engravings. They came in with the Sloane Collection. There is also in the Manuscript Department of the British Museum a volume of original drawings relating chiefly to Florida and Virginia (Sloane N° 5270) manifestly a mixture of Le Moyne’s and White’s sketches. They are very valuable. There is also in the Museum library a printed and manuscript book by Le Moyne, which speaks for itself and tells its own interesting story. It is in small oblong quarto and is entitled ‘La/ Clef des Champs,/ pour trouuer plusieurs Ani-/maux, tant Bestes qu’Oyseaux, auec/ plusieurs Fleurs & Fruitz. . . / Anno. I586./ ¶ Imprimé aux Blackfriers, pour Jaques/ le Moyne, dit de Morgues Paintre/’. The book consists of fifty leaves, of which two are preliminary containing the title and on the reverse and third page a neat dedication in French ‘A Ma-dame Madame/ De Sidney.’/ Signed’ Voftre tres-affectionne,/ JAQVES LE MOINE dit