English drama -- Early modern and Elizabethan, 1500-1600; Heywood, Thomas, approximately 1574-1641
[i.04]
With this main-plot Heywood has interwoven a subordinate and
independent story. To dwell upon this under-plot would be
superfluous. Yet I may point out that it is borrowed from an Italian
Novella by Illicini, the incidents of which Heywood carefully
transferred to English scenes. In like manner _The Captive_,
consists of a main-plot borrowed from the _Mostellaria_ of Plautus
and an under-plot adapted from a novella of the Neapolitan,
_Masuccio_. See my _Shakspere’s Predecessors_ (p. 462), and a letter
written by me to the _Academy_ (Dec. 12, 1885).
A WOMAN KILLED WITH KINDNESS FOOTNOTES.
[1.01]
#“The Shaking of the Sheets”# a popular tune to which many ballads
ware set. Here a _double entente_ is intended.
[1.02]
#“In a good time that man both wins and woos, That takes his wife
down in her wedding shoes.”# a proverbial saying.
[1.03]
#frets# the points at which a string is to be stopped in a lute or
guitar.--_Halliwell_.
[1.04]
#hoigh# out of all bounds.
[1.05]
#angels# gold coins.
[1.06]
#be stirring early with the lark to-morrow# did Heywood remember
Shakespeare’s “Stir with the lark to-morrow, gentle Norfolk”?
[1.07]
#crash# a merry bout.
[1.08]
#“Rogero”, “The Beginning of the World”, “John come kiss me now.”...#
the tunes here mentioned are all more or less familiar from other
passages in the old dramatists.
[1.09]
#sowse# we have here a number of not very intelligible terms
borrowed from falconry. “At the sowse” was said of a bird when the
hawk swooped straight down upon it.
[1.10]
#gets# booty.
[1.11]
#jesses# the short leather straps round the hawk’s legs.
[1.12]
#querre# perhaps from the German _quer_=oblique.
[1.13]
#merlin# a small species of hawk.
[1.14]
#attach# arrest.
[1.15]
#seen# versed.
[1.16]
#censured on# to censure, in legal language, means to pass judgment
on.
[1.17]
#enter over the stage# they evidently pass through the gallery above
and leave the stage to Wendoll.
[1.18]
#to bring him on his way# _i.e._ to accompany him.
[1.19]
#beholding# beholden.
[1.20]
#miching# sneaking or stealing into.
[1.21]
#bed-roll# _i.e._ bead roll.
[1.22]
#from the grate# alluding obviously to the debtors’ prisons; the
lines remind us at once of _Pickwick_.
[1.23]
#wooden knife# with which the scraps were swept into the voider or
basket.
[1.24]
#carpet# _i.e._ table-cover.
[1.25]
#play the good husband# _i.e._ be frugal.
[1.26]
#before your beard# _i.e._ before you had a beard.
[1.27]
#make-bate# promoter of quarrels.
[1.28]
#a pair of cards# _i.e._ pack of cards.
[1.29]
#well said# _i.e._ well done.
[1.30]
#noddy# said to have been something like cribbage; of the other
games mentioned accounts are easily accessible, while it would be
superfluous to comment on the various quibbles.
[1.31]
#quean# in the now obsolete sense of a whore.
[1.32]
#cross# piece of money.
[1.33]
#remember# _i.e._ remind.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account