Jefferson was elected a member of the Continental Congress at its second session; and he made a rapid journey to Philadelphia in a chaise, with two led horses behind, reaching there the night before Washington set out for Cambridge. The Congress was composed mainly of young men. Franklin, the oldest member, was seventy-one, and a few others were past sixty. Washington was forty-three; John Adams, forty; Patrick Henry, a year or two younger; John Rutledge, thirty-six; his brother, twenty-six; John Langdon and William Paca, thirty-five, John Jay, thirty; Thomas Stone, thirty-two, and Jefferson, thirty-two. Jefferson soon became intimate with John Adams, who in later years said of him: “Though a silent member of Congress, he was so prompt, frank, explicit, and decisive upon committees and in conversation—not even Samuel Adams was more so—that he soon seized upon my heart.” Jefferson, as we have seen, was not fitted to shine as an orator, still less in debate. But as a writer he had that capacity for style which comes, if it comes at all, as a gift of nature; which needs to be supplemented, but which cannot be supplied, by practice and study. In some of his early letters there are slight reminders of Dr. Johnson’s manner, and still more of Sterne’s. Sterne indeed was one of his favorite authors. However, these early traces of imitation were absorbed very quickly; and, before he was thirty, Jefferson became master of a clear, smooth, polished, picturesque, and individual style. To him, therefore, his associates naturally turned when they needed such a proclamation to the world as the Declaration of Independence; and that document is very characteristic of its author. It was imagination that gave distinction to Jefferson both as a man and as a writer. He never dashed off a letter which did not contain some play of fancy; and whether he was inventing a plough or forecasting the destinies of a great Democracy, imagination qualified the performance. One of the most effective forms in which imagination displays itself in prose is by the use of a common word in such a manner and context that it conveys an uncommon meaning. There are many examples of this rhetorical art in Jefferson’s writings, but the most notable one occurs in the noble first paragraph of the Declaration of Independence: “When, in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.”