"The honour was entirely _his_ in being allowed to put his name 'to
a work of such merit.' He then said that he hoped when he returned
to town in the winter, we should have many opportunities of
_enjoying each other's society_; that he was passionately fond of
music and had long heard of my talents in that way. Is not all this
very fine?"
Very fine indeed. "But, my dearest mother, it has cost me a new coat.
By-the-bye, I am still in my other tailor's debt." There one has in a
nutshell the epitome of Moore's life, if the life were to be written
from a hostile point of view. On the other hand, considered candidly,
there is nothing more surprising than the small degree of harm done to
Moore by his disproportionate success. For the son of a small Irish
tradesman to find himself at the age of one-and-twenty flattered by the
heir-apparent--at a time too when the heir-apparent was the
all-conquering leader of society--was indeed a dazzling promotion. And
from that day onwards, Moore never lost ground. He had through life his
choice of whatever was most brilliant in social intercourse, and his
choice showed a steadily growing sanity of judgment. Moreover, although
his intimates were always people set on a pinnacle, he never for an
instant wavered in his fidelity to the home where he had been brought up
with so much love. The end of the letter which describes his
introduction to the Prince deserves to be quoted for its natural
warmth:--
"Do not let any one read this letter but yourselves; none but a
father and a mother can bear such egotising vanity; but I know who
I am writing to--that they are interested in what is said of me,
and that they are too partial not to tolerate my speaking of
myself."
Public-domain text, read in full here on John Shaqi.
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