Nothing could more practically show Moore's position in the literary
world of his day than the negotiations for the copyright of _Lalla
Rookh_. In 1814 Murray offered two thousand guineas for it, but Moore's
friends thought he should have more, and, going to Longman, they claimed
that Mr. Moore should receive no less than the highest price ever paid
for a poem. "That," said Longman, "was three thousand pounds paid for
_Rokeby_." On this basis they treated, and Longman was inclined to
stipulate for a preliminary perusal. Moore, however, refused, and the
agreement was finally worded:--"That upon your giving into our hands a
poem of the length of _Rokeby_ you shall receive from us the sum of
£3000." This was in December 1814. The poem was ready for publication in
1816, but that year (in the confusion after Waterloo) being very adverse
to publishers, Moore generously offered the Longmans the chance to
postpone or rescind their bargain; and postponed it accordingly was till
May 1817.
It is worth noting that in the January of that year Moore writes to ask
Power if he can "muster me up a few pounds (five or six), as I am almost
without a shilling." A heavy blow had also fallen upon him, as the
retrenchments then proceeding had occasioned John Moore's removal from
the barrack-mastership in Dublin, with a consequent reduction of his
income from £350 to £200. But the publication of _Lalla Rookh_ set all
right for the moment. A thousand pounds was drawn to discharge all
Moore's liabilities; the other two thousand was to remain in the
publishers' hands, and they undertook to pay Moore's father a hundred
pounds a year as interest on it. Moore himself and his family moved up
to a new house at Hornsey in Middlesex, much more expensive than his
Derbyshire cottage; and here for two months he was busy with the proofs,
and naturally anxious. By May 30th he was clear of all scruples as to
the publisher's pockets, and with justice. A quarter of a century later
Longman still looked on _Lalla Rookh_ as "the cream of the copyrights."
One may take this moment for the height of Moore's prosperity. His
success was emphasised by many flattering offers, one of which was to
conduct a paper for the Opposition--a suggestion which Moore set aside,
partly on the ground that he had lost his taste for living in London. In
the middle of the first flourish of eulogy, Rogers, to whom _Lalla_ had
been dedicated, and who in June was housing Bessy and her young ones,
carried off the poet for a trip to Paris. Moore wrote in raptures with
the French capital; but that was the end of his good time.
Public-domain text, read in full here on John Shaqi.
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