Thomas Otway: The Best Plays of the Old Dramatists — John Shaqi
Thomas Otway: The Best Plays of the Old DramatistsOtway, Thomas
General
Thomas Otway: The Best Plays of the Old Dramatists
Otway, Thomas
English drama -- 17th century; Otway, Thomas, 1652-1685
We get as little philosophy or theology, as political and historic
sympathy from Otway. In this respect he is inferior not only to
Shakespeare, but to Dryden, who is able to afford more food for the
intellect, if less for the heart. The terse and nervous expression
of ripe and mellow life-wisdom in Dryden's _Spanish Friar_, for
instance, is very remarkable. The greater poets indeed are usually men
of great general intellectual power. Chaucer, Shakespeare, Spenser,
Goethe, Dante, Milton, Byron, Coleridge, Browning, occur at once to
memory. Otway is perhaps exceptional in this respect. Possibly the
free-thinking sentiments so fiercely hurled in the teeth of the priest
by Pierre on the scaffold afford a clue to Otway's own attitude toward
religion. In _The Orphan_ we find the same ardour of friendship and
attachment between the sexes, the same raging despair and revolted
denial, when those fierce affections are disappointed--no faith.
Castalio's last words are--
Patience! preach it to the winds,
To roaring seas, or raging fires; the knaves
That teach it laugh at ye when ye believe them. * * *
Now all I beg is, lay me in one grave,
Thus with my love! Farewell, I now am--nothing.
And Chamfort's, the last in the play:
'Tis thus that Heaven its empire does maintain;
It may afflict, but man must not complain.
The scenes in _Don Carlos_, where Carlos and the Queen meet, are
admirably right in their abrupt, interrupted utterance, and must have
been most effective on the stage. On the whole, no better opportunity
exists for comparing the classical and romantic manners than in the
examples afforded by these three plays on the reign of Philip. Don
John's soliloquy about bastardy and free love is exceptionally good as
a purple patch of poetry in Otway, though not without a reminiscence of
Shakespeare's Edmund. There are likewise two splendid lines uttered by
the King when Gomez is tempting him to suspect his son and queen. Gomez
says:
'Tis true they gazed, but 'twas not very long.
_King._ Lie still, my heart. Not long was't that you said?
_Gomez._ No longer than they in your presence stayed.
_King. No longer? Why a soul in less time flies_
_To Heaven, and they have changed theirs at their eyes._
Public-domain text, read in full here on John Shaqi.
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