Christian fiction; Wingfold, Thomas (Fictitious character) -- Fiction
One who had only chanced to get a glimpse of her in her own room, as in
imagination my reader has done, would hardly have recognised her again
in the drawing-room. For in her own room she was but as she appeared
to herself in her mirror--dull, inanimate; but in the drawing-room her
reflection from living eyes and presences served to stir up what waking
life was in her. When she spoke, her face dawned with a clear, although
not warm light; and although it must be owned that when it was at rest,
the same over-stillness, amounting almost to dulness, the same seeming
immobility, ruled as before, yet, even when she was not speaking, the
rest was often broken by a smile--a genuine one, for although there was
much that was stiff, there was nothing artificial about Helen. Neither
was there much of the artificial about her cousin; for his good-nature,
and his smile, and whatever else appeared upon him, were all genuine
enough--the only thing in this respect not quite satisfactory to the
morally fastidious man being his tone in speaking. Whether he had caught
it at the university, or amongst his father’s clerical friends, or in
the professional society he now frequented, I cannot tell, but it had
been manufactured somewhere--after a large, scrolly kind of pattern,
sounding well-bred and dignified. I wonder how many speak with the
voices that really belong to them.
Plainly, to judge from the one Bascombe used, he was accustomed to lay
down the law, but in gentlemanly fashion, and not as if he cared a bit
about the thing in question himself. By the side of his easy carriage,
his broad chest, and towering Greek-shaped head, Thomas Wingfold
dwindled almost to vanishing--in a word, looked nobody. And besides his
inferiority in size and self-presentment, he had a slight hesitation
of manner, which seemed to anticipate, if not to court, the subordinate
position which most men, and most women too, were ready to assign him.
He said, “Don’t you think?” far oftener than “I think” and was always
more ready to fix his attention upon the strong points of an opponent’s
argument than to re-assert his own in slightly altered phrase like most
men, or even in fresh forms like a few; hence--self-assertion, either
modestly worn like a shirt of fine chain-armour, or gaunt and obtrusive
like plates of steel, being the strength of the ordinary man--what
could the curate appear but defenceless, therefore weak, and therefore
contemptible? The truth is, he had less self-conceit than a mortal’s
usual share, and was not yet possessed of any opinions interesting
enough to himself to seem worth defending with any approach to vivacity.
Public-domain text, read in full here on John Shaqi.
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