“I don’t like the song,” said Helen, wrinkling her brows a little. “It sounds--well, heathenish.” She would, I fear, have said nothing of the sort, being used to that kind of sound from her cousin, had not a clergyman been present. Yet she said it from no hypocrisy, but simple regard to his professional feelings, “I sung it for Mr. Wingfold,” returned Bascombe. “It would have been a song after Horace’s own heart.” “Don’t you think,” rejoined the curate, “the defiant tone of your song would have been strange to him? I confess that what I find chiefly attractive in Horace is his sad submission to the inevitable.” “Sad?” echoed Bascombe. “Don’t you think so?” “No. He makes the best of it, and as merrily as he can.” “AS HE CAN, I grant you,” said Wingfold. Here Mrs. Ramshorn woke, and the subject was dropped, leaving Mr. Wingfold in some perplexity as to this young man and his talk, and what the phenomenon signified. Was heathenism after all secretly cherished, and about to become fashionable in English society? He saw little of its phases, and for what he knew it might be so. Helen sat down to the piano. Her time was perfect, and she never blundered a note. She played well and woodenly, and had for her reward a certain wooden satisfaction in her own performance. The music she chose was good of its kind, but had more to do with the instrument than the feelings, and was more dependent upon execution than expression. Bascombe yawned behind his handkerchief, and Wingfold gazed at the profile of the player, wondering how, with such fine features and complexion, with such a fine-shaped and well-set head? her face should be so far short of interesting. It seemed a face that had no story. CHAPTER V. A STAGGERING QUESTION. It was time the curate should take his leave. Bascombe would go out with him and have his last cigar. The wind had fallen, and the moon was shining. A vague sense of contrast came over Wingfold, and as he stepped on the pavement from the threshold of the high gates of wrought iron, he turned involuntarily and looked back at the house. It was of red brick, and flat-faced in the style of Queen Anne’s time, so that the light could do nothing with it in the way of shadow, and dwelt only on the dignity of its unpretentiousness. But aloft over its ridge the moon floated in the softest, loveliest blue, with just a cloud here and there to show how blue it was, and a sparkle where its blueness took fire in a star. It was autumn, almost winter, below, and the creepers that clung to the house waved in the now gentle wind like the straggling tresses of old age; but above was a sky that might have overhung the last melting of spring into summer. At the end of the street rose the great square tower of the church, seeming larger than in the daylight. There was something in it all that made the curate feel there ought to be more--as if the night knew something he did not; and he yielded himself to its invasion.