Christian fiction; Wingfold, Thomas (Fictitious character) -- Fiction
The sun was down ere he left the park, and the twilight was rapidly
following the sun as he drew near to the Abbey on his way home.
Suddenly, more like an odour than a sound, he heard the organ, he
thought. Never yet had he heard it on a week-day: the organist was not
of those who haunt their instrument. Often of late had the curate gazed
on that organ as upon a rock filled with sweet waters, before which he
stood a Moses without his rod; sometimes the solemn instrument appeared
to him a dumb Jeremiah that sat there from Sunday to Sunday, all the
week long, with his head bowed upon his hands, and not a Jebusite
to listen to him: if only his fingers had been taught the craft, he
thought, how his soul would pour itself out through the song-tubes
of that tabernacle of sweetness and prayer, and on the blast of its
utterance ascend to the throne of the most high! Who could it be that
was now peopling the silence of the vast church with melodious sounds,
worshipping creatures of the elements? If the winds and the flames of
fire are his angels, how much more the grandly consorting tones of the
heavenly organ! He would go and see what power informed the vaporous
music.
He entered the church by one of the towers, in which a stair led
skyward, passing the neighbourhood of the organ, and having a door to
its loft. As he ascended, came a pause in the music;--and then, like the
breaking up of a summer cloud in the heavenliest of rain-showers, began
the prelude to the solo in the Messiah, THOU DIDST NOT LEAVE HIS SOUL
IN HELL. Up still the curate crept softly. All at once a rich full
contralto voice--surely he had heard it before--came floating out on the
torrent, every tone bearing a word of sorrowful triumph in its bosom.
He reached the door. Very gently he opened it, and peeped in. But the
back of the organ was towards him, and he could see nothing. He stepped
upon the tiles of the little apse. One stride cleared the end of the
organ, and he saw the face of the singer: it WAS Helen Lingard!
She started. The music folded its wings and dropped--like a lark
into its nest. But Helen recovered herself at once, rose from her
ministration at the music-altar, and approached the curate.
“Have I taken too great a liberty?” she said, in a gentle, steady voice.
“No, surely,” he answered. “I am sorry I startled you. I wish you would
wake such sounds oftener.”
“He didn’t leave my brother’s soul in hell, did he, Mr. Wingfold?” she
said abruptly, and her eyes shone through the dusk.
“If ever a soul was taken out of hell, it was Leopold’s,” returned the
curate. “And it lifts mine out of it too,” he added, “to hear you say
so.”
“I behaved very badly to you. I confess my fault. Will you forgive me?”
she said.
“I love you too much to be able to forgive you:” that was the word in
the curate’s heart, but a different found its way to his lips.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account