Christian fiction; Wingfold, Thomas (Fictitious character) -- Fiction
While yet a mere boy, scarcely more than sixteen, Leopold had made
acquaintance with the family of a certain manufacturer, who, having
retired from business with a rapidly-gained fortune, had some years
before purchased an estate a few miles from Goldswyre, his uncle’s
place. Their settling in the neighbourhood was not welcome to the
old-fashioned, long-rooted family of the Lingards; but although they
had not called upon them, they could not help meeting them occasionally.
Leopold’s association with them commenced just after he had left Eton,
between which time and his going up to Cambridge he spent a year in
reading with his cousins’ tutor. It was at a ball he first saw Emmeline,
the eldest of the family. She had but lately returned from a school at
which from the first she had had for her bedfellow a black ewe. It
was not a place where any blackness under that of pitch was likely to
attract notice, being one of those very ordinary and very common schools
where everything is done that is done, first for manners, then for
accomplishments, and lastly for information, leaving all the higher
faculties and endowments of the human being as entirely unconsidered
as if they had no existence. Taste, feeling, judgment, imagination,
conscience, are in such places left to look after themselves, and
the considerations presented to them, and duties required of them as
religious, are only fitted to lower still farther such moral standard as
they may possess. Schools of this kind send out, as their quota of the
supply of mothers for the ages to come, young women who will consult a
book of etiquette as to what is ladylike; who always think what is the
mode, never what is beautiful; who read romances in which the wickedness
is equalled only by the shallowness; who write questions to weekly
papers concerning points of behaviour, and place their whole, or chief
delight in making themselves attractive to men. Some such girls look
lady-like and interesting, and many of them are skilled in the arts that
meet their fullest development in a nature whose sense of existence
is rounded by its own reflection in the mirror of self-consciousness
falsified by vanity. Once understood, they are for a sadness or a
loathing, after the nature that understands them; till then, they are to
the beholder such as they desire to appear, while under the fair outside
lies a nature whose vulgarity, if the most thorough of changes do not in
the meantime supervene, will manifest itself hideously on the approach
of middle age, that is, by the time when habituation shall have
destroyed the restraints of diffidence. Receiving ever fresh and best
assurance of their own consequence in the attention and admiration
of men, such girls are seldom capable of any real attachment, and the
marvel is that so few of them comparatively disgrace themselves after
marriage.
Public-domain text, read in full here on John Shaqi.
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