Christian fiction; Wingfold, Thomas (Fictitious character) -- Fiction
One who had only chanced to get a glimpse of her in her own room, as
in imagination my reader has done, would hardly have recognised her
again in the drawing-room. For in her own room she was but as she
appeared to herself in her mirror--dull, inanimate; but in the
drawing-room her reflection from living eyes and presences served to
stir up what waking life was in her. When she spoke, her face dawned
with a clear, although not warm light; and although it must be owned
that when it was at rest, the same over-stillness, amounting almost
to dulness, the same seeming immobility, ruled as before, yet, even
when she was not speaking, the rest was often broken by a smile--a
genuine one, for although there was much that was stiff, there was
nothing artificial about Helen. Neither was there much of the
artificial about her cousin; for his good-nature, and his smile, and
whatever else appeared upon him, were all genuine enough--the only
thing in this respect not quite satisfactory to the morally
fastidious man being his tone in speaking. Whether he had caught it
at the university, or amongst his father's clerical friends, or in
the professional society he now frequented, I cannot tell, but it
had been manufactured somewhere--after a large, scrolly kind of
pattern, sounding well-bred and dignified. I wonder how many speak
with the voices that really belong to them.
Plainly, to judge from the one Bascombe used, he was accustomed to
lay down the law, but in gentlemanly fashion, and not as if he cared
a bit about the thing in question himself. By the side of his easy
carriage, his broad chest, and towering Greek-shaped head, Thomas
Wingfold dwindled almost to vanishing--in a word, looked nobody. And
besides his inferiority in size and self-presentment, he had a
slight hesitation of manner, which seemed to anticipate, if not to
court, the subordinate position which most men, and most women too,
were ready to assign him. He said, "Don't you think?" far oftener
than "I think" and was always more ready to fix his attention upon
the strong points of an opponent's argument than to re-assert his
own in slightly altered phrase like most men, or even in fresh forms
like a few; hence--self-assertion, either modestly worn like a shirt
of fine chain-armour, or gaunt and obtrusive like plates of steel,
being the strength of the ordinary man--what could the curate appear
but defenceless, therefore weak, and therefore contemptible? The
truth is, he had less self-conceit than a mortal's usual share, and
was not yet possessed of any opinions interesting enough to himself
to seem worth defending with any approach to vivacity.
Public-domain text, read in full here on John Shaqi.
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