Christian fiction; Wingfold, Thomas (Fictitious character) -- Fiction
While yet a mere boy, scarcely more than sixteen, Leopold had made
acquaintance with the family of a certain manufacturer, who, having
retired from business with a rapidly-gained fortune, had some years
before purchased an estate a few miles from Goldswyre, his uncle's
place. Their settling in the neighbourhood was not welcome to the
old-fashioned, long-rooted family of the Lingards; but although they
had not called upon them, they could not help meeting them
occasionally. Leopold's association with them commenced just after
he had left Eton, between which time and his going up to Cambridge
he spent a year in reading with his cousins' tutor. It was at a ball
he first saw Emmeline, the eldest of the family. She had but lately
returned from a school at which from the first she had had for her
bedfellow a black ewe. It was not a place where any blackness under
that of pitch was likely to attract notice, being one of those very
ordinary and very common schools where everything is done that is
done, first for manners, then for accomplishments, and lastly for
information, leaving all the higher faculties and endowments of the
human being as entirely unconsidered as if they had no existence.
Taste, feeling, judgment, imagination, conscience, are in such
places left to look after themselves, and the considerations
presented to them, and duties required of them as religious, are
only fitted to lower still farther such moral standard as they may
possess. Schools of this kind send out, as their quota of the supply
of mothers for the ages to come, young women who will consult a book
of etiquette as to what is ladylike; who always think what is the
mode, never what is beautiful; who read romances in which the
wickedness is equalled only by the shallowness; who write questions
to weekly papers concerning points of behaviour, and place their
whole, or chief delight in making themselves attractive to men. Some
such girls look lady-like and interesting, and many of them are
skilled in the arts that meet their fullest development in a nature
whose sense of existence is rounded by its own reflection in the
mirror of self-consciousness falsified by vanity. Once understood,
they are for a sadness or a loathing, after the nature that
understands them; till then, they are to the beholder such as they
desire to appear, while under the fair outside lies a nature whose
vulgarity, if the most thorough of changes do not in the meantime
supervene, will manifest itself hideously on the approach of middle
age, that is, by the time when habituation shall have destroyed the
restraints of diffidence. Receiving ever fresh and best assurance of
their own consequence in the attention and admiration of men, such
girls are seldom capable of any real attachment, and the marvel is
that so few of them comparatively disgrace themselves after
marriage.
Public-domain text, read in full here on John Shaqi.
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