Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“I’m delighted to hear you saying all this,” said Calamy. “If only all
writers felt as you do!”
Miss Thriplow shook her head, modestly declining the implied compliment.
“I’m like Jehovah,” she said; “I just am that I am. That’s all. Why
should I make believe that I’m somebody else? Though I confess,” she
added, with a greatly daring candour, “that I was intimidated by your
reputation into pretending that I was more _mondaine_ than I really am.
I imagined you as being so tremendously worldly and smart. It’s a great
relief to find you’re not.”
“Smart?” repeated Calamy, making a grimace.
“You sounded so dazzlingly social from Mrs. Aldwinkle’s accounts.” And
as she spoke the words she felt herself becoming correspondingly
obscurer and littler.
Calamy laughed. “Perhaps I was that sort of imbecile once,” he said.
“But now—well, I hope all that’s over now.”
“I pictured you,” Miss Thriplow went on, straining, in spite of her
obscurity, to be brilliant, “I pictured you as one of those people in
the _Sketch_—‘walking in the Park with a friend,’ you know; a friend who
would turn out at the least to be a duchess or a distinguished novelist.
Can you wonder that I was nervous?” She dropped back into the depths of
her chair. Poor little thing! But the pearls, though not marine, were
still rather an embarrassment.
------------------------------------------------------------------------
CHAPTER II
Mrs. Aldwinkle, when she returned, found them on the upper terrace,
looking at the view. It was almost the hour of sunset. The town of Vezza
at their feet was already eclipsed by the shadow of the great bluff
which projected, on the further side of the westernmost of the two
valleys, into the plain. But, beyond, the plain was still bright. It
lay, stretched out beneath them like a map of itself—the roads marked in
white, the pinewoods dark green, the streams as threads of silver,
ploughland and meadowland in chequers of emerald and brown, the railway
a dark brown line ruled along it. And beyond its furthest fringes of
pinewoods and sand, darkly, opaquely blue, the sea. Towards this wide
picture, framed between the projecting hills, of which the eastern was
still rosily flushed with the light, the western profoundly dark, a
great flight of steps descended, past a lower terrace, down, between
columnar cypresses, to a grand sculptured gateway half-way down the
hill.
They stood there in silence, leaning their elbows on the balustrade.
Ever since she had jettisoned the Guardswoman they had got on, Miss
Thriplow thought, most awfully well. She could see that he liked her
combination of moral ingenuousness and mental sophistication, of
cleverness and genuineness. Why she had ever thought of pretending she
was anything but simple and natural she couldn’t now imagine. After all,
that was what she really was—or at least what she had determined that
she ought to be.
Public-domain text, read in full here on John Shaqi.
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