Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
I was unhappy the whole evening; but at the same time I wished it would
never end. I should have liked to go on for ever sitting in that stuffy
cellar, where the jazz band sounded so loud that it seemed to be playing
inside one’s head. I would have breathed the stale air and wearily
danced for ever, I would even have listened for ever to Barbara’s
conversation—for ever, so that I might have been allowed to be near her,
to look at her, to speculate, until she next spoke, on the profound and
lovely mysteries behind her eyes, on the ineffable sources of that
secret joy which kept her faintly and yet how intently and how
rapturously smiling.
The weeks passed. I saw her almost every day. And every day I loved her
more violently and painfully, with a love that less and less resembled
the religious passion of my boyhood. But it was the persistent memory of
that passion which made my present desire so parching and tormenting,
that filled me with a thirst that no possible possession could assuage.
No possible possession, since whatever I might possess, as I realised
more and more clearly each time I saw her, would be utterly different
from what I had desired all these years to possess. I had desired all
beauty, all that exists of goodness and truth, symbolised and incarnate
in one face. And now the face drew near, the lips touched mine; and what
I had got was simply a young woman with a “temperament,” as the
euphemists who deplore the word admiringly and lovingly qualify the
lascivious thing. And yet, against all reason, in spite of all the
evidence, I could not help believing that she was somehow and secretly
what I had imagined her. My love for her as a symbol strengthened my
desire for her as an individual woman.
All this, were it to happen to me now, would seem perfectly natural and
normal. If I were to make love to a young woman, I should know precisely
what I was making love to. But that, in those days, was something I
still had to learn. In Barbara’s company I was learning it with a
vengeance. I was learning that it is possible to be profoundly and
slavishly in love with some one for whom one has no esteem, whom one
does not like, whom one regards as a bad character and who, finally, not
only makes one unhappy but bores one. And why not, I might now ask, why
not? That things should be like this is probably the most natural thing
in the world. But in those days I imagined that love ought always to be
mixed up with affection and admiration, with worship and an intellectual
rapture, as unflagging as that which one experiences during the playing
of a symphony. Sometimes, no doubt, love does get involved with some or
all of these things; sometimes these things exist by themselves, apart
from love. But one must be prepared to swallow one’s love completely
neat and unadulterated. It is a fiery, crude and somewhat poisonous
draught.
Public-domain text, read in full here on John Shaqi.
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