Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Every hour I spent with Barbara brought fresh evidence of her inability
to play the ideal part my imagination had all these years been assigning
to her. She was selfish, thirsty for pleasures of the most vulgar sort,
liked to bask in an atmosphere of erotic admiration, amused herself by
collecting adorers and treating them badly, was stupid and a liar—in
other words, was one of the normal types of healthy young womanhood. I
should have been less disturbed by these discoveries if only her face
had been different. Unfortunately, however, the healthy young woman who
now revealed herself had the same features as that symbolic child on the
memory of whose face I had brooded through all an ardent adolescence.
And the contrast between what she was and what—with that dazzling and
mysteriously lovely face—she ought to have been, what in my imagination
she indeed had been, was a perpetual source of surprise and pain. And at
the same time the nature of my passion for her had changed—changed
inevitably and profoundly, the moment she ceased to be a symbol and
became an individual. Now, I desired her; before, I had loved her for
God’s sake and almost as though she were herself divine. And contrasting
this new love with the love I had felt before, I was ashamed, I fancied
myself unworthy, base, an animal. And I tried to persuade myself that if
she seemed different it was because I felt differently and less nobly
towards her. And sometimes, when we sat silent through long summer
twilights under the trees in the Park, or at my Chelsea rooms, looking
out on to the river, I could persuade myself for a precarious moment
that Barbara was what she had been in my imagination and that I felt
towards her now what I had felt towards the memory of her. In the end,
however, Barbara would break the magic silence and with it the illusion.
“It’s such a pity,” she would say pensively, “that July hasn’t got an r
in it. Otherwise we might have had supper in an oyster bar.”
Or else, remembering that I was a literary man, she would look at the
gaudy remains of the sunset and sigh. “I wish _I_ were a poet,” she
would say.
And I was back again among the facts, and Barbara was once more a
tangible young woman who bored me, but whom I desired—with what a
definite and localised longing!—to kiss, to hold fast and caress.
It was a longing which, for some time, I rigorously suppressed. I fought
against it as against an evil thing, too horribly unlike my previous
love, too outrageously incompatible with my conception of Barbara’s
higher nature. I had not yet learned to reconcile myself to the fact
that Barbara’s higher nature was an invention of my own, a figment of my
proper imagination.
Public-domain text, read in full here on John Shaqi.
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