Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“I’m sorry,” I said. Standing once more close to her, breathing once
again her rosy perfume, I felt as I had felt when, a child, I had run
down from my terrifying night nursery to find my mother sitting in the
dining-room—reassured, relieved of a hideous burden, incredibly happy,
but at the same time profoundly miserable in the consciousness that what
I was doing was against all the rules, was a sin, the enormity of which
I could judge from the very mournful tenderness of my mother’s eyes and
the severe, portentous silence out of which, as though from a
thundercloud, my huge and bearded father looked at me like an outraged
god. I was happy, being with Barbara; I was utterly miserable because I
was not with her, so to speak, in the right way: I was not I; she, for
all that the features were the same, was no longer herself. I was happy
at the thought that I should soon be kissing her; miserable because that
was not how I wanted to love my imaginary Barbara; miserable too, when I
secretly admitted to myself the existence of the real Barbara, because I
felt it an indignity to be the slave of such a mistress.
“Of course, if you want me to go,” I said, reacting feebly again towards
revolt, “I’ll go.” And desperately trying to be facetious, “I’m not sure
that it wouldn’t be best if I drowned myself in that horse-trough,” I
added.
“As you like,” she said lightly. The door was open now; she walked into
the darkness. I followed her, closing the door behind me carefully. We
groped our way up steep dark stairs. She unlocked another door, turned a
switch. The sudden light was dazzling.
“All’s well that ends well,” she said, smiling at me, and she slipped
the cloak from off her bare shoulders.
On the contrary, I thought, it was the tragedy of errors. I stepped
towards her, I stretched out my hands and gripped her by her two thin
arms a little below the shoulder. I bent down and kissed her averted
cheek, she turned her face towards me, and it was her mouth.
There is no future, there is no more past;
No roots nor fruits, but momentary flowers.
Lie still, only lie still and night will last
Silent and dark, not for a space of hours,
But everlastingly. Let me forget
All but your perfume, every night but this,
The shame, the fruitless weeping, the regret.
Only lie still: this faint and quiet bliss
Shall flower upon the brink of sleep and spread
Till there is nothing else but you and I
Clasped in a timeless silence. But like one
Who, doomed to die, at morning will be dead,
I know, though night seem dateless, that the sky
Must brighten soon before to-morrow’s sun.
Public-domain text, read in full here on John Shaqi.
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