Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
It was then that I learned to live only in the moment—to ignore causes,
motives, antecedents, to refuse responsibility for what should follow.
It was then that I learned, since the future was always bound to be a
painful repetition of what had happened before, never to look forward
for comfort or justification, but to live now and here in the heart of
human reality, in the very centre of the hot dark hive. But there is a
spontaneous thoughtlessness which no thoughtful pains can imitate. Being
what I am, I shall never rival with those little boys who throw their
baby sisters over the cliff for the sake of seeing the delightful
splash; never put a pistol to my head and for the mere fun of the thing
pull the trigger; never, looking down from the gallery at Covent Garden
at the thronged Wagnerites or Saint-Saënsians in the stalls below,
lightly toss down that little hand-grenade (however piercingly amusing
the jest might be), which I still preserve, charged with its pound of
high explosive, in my hat-box, ready for all emergencies. Such gorgeous
carelessness of all but the immediate sensation I can only remotely
imitate. But I do my best, and I did it always conscientiously with
Barbara. Still, the nights always did come to an end. And even during
them, lapped in the temperament, I could never, even for an instant, be
quite unaware of who she was, who I was and had been and would be
to-morrow. The recollection of these things deprived every rapture of
its passionate integrity and beneath the surface of every calm and
silent trance spread out a profound uneasiness. Kissing her I wished
that I were not kissing her, holding her in my arms I wished that it
were somebody else I was holding. And sometimes in the dark quiet
silences I thought that it would be better if I were dead.
Public-domain text, read in full here on John Shaqi.
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