Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Mrs. Aldwinkle tried to guard against his habit of vanishing by never,
so far as it was practicable, letting him out of her sight. She arranged
that he should always sit next to her at table. She took him for walks
and drives in the motor car, she made him sit with her in the garden. It
was with difficulty and only by the employment of stratagems that
Chelifer managed to procure a moment of liberty and solitude. For the
first few days of his stay Chelifer found that: “I must go and write”
was a good excuse to get away. Mrs. Aldwinkle professed such admiration
for him in his poetical capacity that she could not decently refuse to
let him go. But she soon found a way of controlling such liberty as he
could get in this way by insisting that he should write under the ilex
trees, or in one of the mouldering sponge-stone grottoes hollowed in the
walls of the lower terrace. Vainly Chelifer protested that he loathed
writing or reading out of doors.
“These lovely surroundings,” Mrs. Aldwinkle insisted, “will inspire
you.”
“But the only surroundings that really inspire me,” said Chelifer, “are
the lower middle class quarters of London, north of the Harrow Road, for
example.”
“How can you say such things?” said Mrs. Aldwinkle.
“But I assure you,” he protested, “it’s quite true.”
None the less, he had to go and write under the ilexes or in the grotto.
Mrs. Aldwinkle, at a moderate distance, kept him well in sight. Every
ten minutes or so she would come tip-toeing into his retreat, smiling,
as she imagined, like a sibyl, her finger on her lips, to lay beside his
permanently virgin sheet of paper a bunch of late-flowering roses, a
dahlia, some Michaelmas daisies or a few pink berries from the spindle
tree. Courteously, in some charming and frankly insincere formula,
Chelifer would thank her for the gift, and with a final smile, less
sibylline, but sweeter, tenderer, Mrs. Aldwinkle would tip-toe away
again, like Egeria bidding farewell to King Numa, leaving her
inspiration to do its work. It didn’t seem to do its work very well,
however. For whenever she asked him how much he had written, he
regularly answered “Nothing,” smiling at her meanwhile that courteous
and Sphingine smile which Mrs. Aldwinkle always found so baffling, so
pre-eminently “queer.”
Public-domain text, read in full here on John Shaqi.
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