Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“We all admire your son so enormously,” said Mrs. Aldwinkle. “He’s
so—how shall I say?—so _post-bellum_, so essentially one of _us_.” Mrs.
Aldwinkle made haste to establish her position among the youngest of the
younger generation. “All that one only dimly feels he expresses. Can you
be surprised at our admiration?”
So far Mrs. Chelifer was rather surprised by everything. It took her
some time to get used to Mrs. Aldwinkle. Nor was the aspect of the
palace calculated to allay her astonishment.
“A superb specimen of early baroque,” Mrs. Aldwinkle assured her,
pointing with her parasol. But even after she knew the dates, it all
seemed to Mrs. Chelifer rather queer.
Mrs. Aldwinkle remained extremely cordial to her new guest; but in
secret she disliked Mrs. Chelifer extremely. There would have been small
reason, in any circumstances, for Mrs. Aldwinkle to have liked her. The
two women had nothing in common; their views of life were different and
irreconcilable, they had lived in separate worlds. At the best of times
Mrs. Aldwinkle would have found her guest _bourgeoise_ and _bornée_. As
things actually were she loathed her. And no wonder; for in his mother
Chelifer had a permanent and unexceptionable excuse for getting away
from Mrs. Aldwinkle. Mrs. Aldwinkle naturally resented the presence in
her house of this cause and living justification of infidelity. At the
same time it was necessary for her to keep on good terms with Mrs.
Chelifer; for if she quarrelled with the mother, it was obvious that the
son would take himself off. Inwardly chafing, Mrs. Aldwinkle continued
to treat her with the same gushing affection as at first.
To Mrs. Aldwinkle’s guests the arrival of Mrs. Chelifer was more welcome
than to herself. Mr. Falx found in her a more sympathetic and
comprehensible soul than he could discover in his hostess. To Lord
Hovenden and Irene her arrival meant the complete cessation of Irene’s
duties as a spy; they liked her well enough, moreover, for her own sake.
“A nice old fing,” was how Lord Hovenden summed her up.
Miss Thriplow affected almost to worship her.
“She’s so wonderfully good and simple and _integral_, if you understand
what I mean,” Miss Thriplow explained to Calamy. “To be able to be so
undividedly enthusiastic about folk-songs and animals’ rights and all
that sort of thing—it’s really wonderful. She’s a lesson to us,” Miss
Thriplow concluded, “a lesson.” Mrs. Chelifer became endowed, for her,
with all the qualities that the village grocer had unfortunately not
possessed. The symbol of his virtues—if only he had possessed them—had
been the white apron; Mrs. Chelifer’s integrity was figured forth by her
dateless grey dresses.
Public-domain text, read in full here on John Shaqi.
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