Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
He had known all this so well and so long; and still he went on in the
same way of life. He knew that he ought to change, to do something
different, and he profoundly resented this knowledge. Deliberately he
acted against it. Instead of making an effort to get out of the noise
and bustle, to break away from his enslavement and do what he ought to
do, what he knew that, really and profoundly, he wanted to do, he had
more than once, when his bonds had seemed on the point of falling away
of themselves, deliberately tightened them. He resented this necessity
of changing, even though it was a necessity imposed on him, not from
without, but by what he knew to be the most intelligent part of his own
being. He was afraid, too, that if he changed he would be making himself
ridiculous. It was not that he desired to live as he had until a year
ago. That dreary and fatiguing routine of pleasure had become
intolerable; he had broken definitely with that. No; he pictured a sort
of graceful Latin compromise. An Epicurean cultivation of mind and body.
Breakfast at nine. Serious reading from ten till one. Luncheon prepared
by an excellent French cook. In the afternoon a walk and talk with
intelligent friends. Tea with crumpets and the most graceful of female
society. A frugal but exquisite supper. Three hours’ meditation about
the Absolute, and then bed, not unaccompanied.... It sounded charming.
But somehow it wouldn’t do. To the liver of this perfect Life of Reason
the secret, the mystery and the beauty, though they might be handled and
examined, refused to give up their significance. If one really wanted to
know about them, one must do more than meditate upon them of an evening
between the French chef’s masterpiece of maigre cooking and the night’s
rest, not in solitude. In these delightful Latin circumstances the
secret, the mystery and the beauty reduced themselves to nothing. One
thought of them only because they were amusing and to pass the time;
they were really no more important than the tea with crumpets, the
vegetarian supper and the amorous repose. If one wanted them to be more
than these, one must abandon oneself completely to the contemplation of
them. There could be no compromise.
Calamy knew this. But all the same he had made love to Mary Thriplow,
not because he had felt an overwhelming passionate necessity to do so;
but because she amused him, because her prettiness, her air of unreal
innocence exasperated his senses, more than all because he felt that a
love affair with Mary Thriplow would keep him thoroughly occupied and
prevent him from thinking about anything else. It had not. The beauty
and the mystery still hung just above him when he lay alone in the
darkness. They were still there; his affair with Mary Thriplow merely
prevented him from approaching them.
Public-domain text, read in full here on John Shaqi.
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