Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Down in the valley a clock struck one. The sound reminded him that he
had promised to go to her to-night. He found himself thinking of what
would happen when they met, of the kisses, the caresses given and
received. Angrily he tried to turn his thoughts to other themes; he
tried to think of the mystery and the beauty that floated there, above
him, on the further side of the curtaining darkness. But however
vehemently he strove to expel them, the charnel images kept returning
again and again to his mind.
“I won’t go,” he said to himself; but he knew while he was saying it
that he would. With an extraordinary vividness he imagined her lying on
the crook of his arm, extenuated, limp and shuddering, like one who has
been tormented on the rack. Yes, he knew that he would go.
The notion of torture continued to haunt his mind. He thought of those
poor wretches who, accused of sorcery, admitted after the third day’s
torment that they had indeed flown along the wind, passed through
keyholes, taken the form of wolves and conjoined themselves with incubi;
who would admit, not only these things, but also, after another hour on
the rack, that they had accomplices, that this man, that woman, that
young child were also sorcerers and servants of the devil. The spirit is
willing, but the flesh is weak. Weak in pain, but weaker still, he
thought, more inexcusably weak, in pleasure. For under the torments of
pleasure, what cowardices, what betrayals of self and of others will it
not commit! How lightly it will lie and perjure itself! How glibly, with
a word, condemn others to suffer! How abjectly it will surrender
happiness and almost life itself for a moment’s prolongation of the
delicious torture! The shame that follows is the spirit’s resentment,
its sad indignation at its bondage and humiliation.
Under the torment of pleasure, he thought, women are weaker than men.
Their weakness flatters their lover’s consciousness of strength,
gratifies his desire for power. On one of his own sex a man will vent
his love of power by making him suffer; but on a woman by making her
enjoy. It is more the pleasurable torment he inflicts than what is
inflicted upon him that delights the lover.
And since man is less weak, Calamy went on thinking, since pleasure with
him is never so annihilating that he cannot take greater pleasure in the
torment of his tormentor, is he not therefore the less excusable for
breaking faith with himself or others under the delicious torture or the
desire and anticipation of it? Man has less physical justification for
his weakness and his enslavement. Woman is made by nature to be
enslaved—by love, by children. But every now and then a man is born who
ought to be free. For such a man it is disgraceful to succumb under the
torture.
Public-domain text, read in full here on John Shaqi.
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