Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Dominating Vezza itself, a bold promontory of hill juts out like a wedge
between the two valleys. Near the top of the hill and set in the midst
of ilex trees and tall cypresses that rise up blackly out of the misty
olives, stands a huge house. A solemn and regular façade, twenty windows
wide, looks down over the terraced cypresses and the olive trees on to
the town. Behind and above this façade one sees irregular masses of
buildings climbing up the slopes beyond. And the whole is dominated by a
tall slender tower that blossoms out at the top, after the manner of
Italian towers, into overhanging machicolations. It is the summer palace
of the Cybo Malaspina, one-time Princes of Massa and Carrara, Dukes of
Vezza, and marquesses, counts and barons of various other villages in
the immediate neighbourhood.
The road is steep that leads up from Vezza to the palace of the Cybo
Malaspina, perched on the hill above the town. The Italian sun can shine
most powerfully, even in September, and olive trees give but little
shade. The young man with the peaked cap and the leather wallet slung
over his shoulder pushed his bicycle slowly and wearily up the hill.
Every now and then he halted, wiped his face and sighed. It was on an
evil day, he was thinking, on a black, black day for the poor postmen of
Vezza that the insane old Englishwoman with the impossible name bought
this palace; and a blacker day still when she had elected to come and
live in it. In the old days the place had been quite empty. A couple of
peasant families had lived in the out-houses; that was all. Not more
than one letter a month between them, and as for telegrams—why there had
never been a telegram for the palace in all the memory of man. But those
happy days were now over and what with letters, what with packets of
newspapers and parcels, what with expresses and telegrams, there was
never a day and scarcely an hour in the day when some one from the
office wasn’t toiling up to this accursed house.
True, the young man went on thinking, one got a good tip for bringing a
telegram or an express. But being a young man of sense, he preferred
leisure, if a choice had to be made, to money. The expense of energy was
not to be compensated for by the three francs he would receive at the
end of the climb. Money brings no satisfaction if one has to work for
it; for if one works for it one has no time to spend it.
The ideal, he reflected, as he replaced his cap and once more started
climbing, the ideal would be to win a big prize in the lottery. A really
immense prize.
Public-domain text, read in full here on John Shaqi.
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