Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Mr. Cardan took a couple of spoonfuls of soup before proceeding. “A very
interesting subject,” he repeated yet again. He had a melodious voice,
ripe, round, fruity and powdered, as it were, with a bloom of
huskiness—the faint hoarseness of those who have drunk well, eaten well
and copiously made love. “Formality, external pomp, etiquette—their
practical disappearance from modern life is really a most extraordinary
thing, when you come to think of it. Formality and pomp were one of the
essential features of ancient government. Tyranny tempered by
transformation scenes—that was the formula of all governments in the
seventeenth century, particularly in Italy. Provided you treated your
people to a procession or some similarly spectacular function once a
month or thereabouts, you could do whatever you pleased. It was the
papal method _par excellence_. But it was imitated by every grand
seigneur, down to the most piddling little count in the peninsula. Look
how all the architecture of the period is conditioned by the need for
display. The architect was there to make backgrounds for the incessant
amateur theatricals of his employers. Huge vistas of communicating
saloons to march down, avenues for processions, vast flights of steps to
do the Grand Monarch descent from the skies. No comfort—since comfort is
only private—but an immense amount of splendour to impress the spectator
from outside. Napoleon was the last ruler to practise it systematically
and scientifically on the grand scale. Those reviews, those triumphal
entries and exits, those coronations and weddings and christenings, all
those carefully prepared stage effects—why, they were half his secret.
And now these pomps are no more. Are our rulers so stupid and so
regardless of the lessons of history that they neglect these aids to
government? Or can it be that tastes have changed, that the public no
longer demands these shows and is no longer impressed by them? I put the
question to our political friends.” Mr. Cardan leaned forward and
looking past Miss Thriplow, who sat on his left, smiled at the young man
who sat beyond her and at the older man occupying the corresponding
place on the opposite side of the table, next to Irene Aldwinkle.
The young man, who looked even younger than he really was—and at best it
was only two or three months since Lord Hovenden had attained his
majority—smiled amiably at Mr. Cardan and shook his head, then turned
hopefully to the person who sat opposite him. “Ask me anover,” he said.
Lord Hovenden still found it difficult to pronounce a th. “What do you
say, Mr. Falx?” An expression of respectful attention appeared on his
boyish, freckled face as he waited for Mr. Falx’s answer. Whatever the
answer might be, it was obvious that Lord Hovenden would regard it as
oracular. He admired, he revered Mr. Falx.
Public-domain text, read in full here on John Shaqi.
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