Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
And there they were. On the sun-warmed marble of a fallen column basked
a large tabby. A family of ginger kittens were playing on the ground
below. Small tigers stalked between the blocks of masonry. A miniature
black panther was standing up on its hind legs to sharpen its claws on
the bark of a little tree. At the foot of the column lay an emaciated
corpse.
“Puss, puss,” Miss Elver shrilly yelled.
“No good,” said Mr. Cardan. “They only understand Italian.”
Miss Elver looked at him. “Perhaps I’d better learn a little, then,” she
said. “Cat’s Italian.”
Mrs. Chelifer meanwhile was looking down very earnestly into the forum.
“Why, there are at least twenty,” she said. “How do they get there?”
“People who want to get rid of their cats just come and drop them over
the railing into the forum,” Mr. Cardan explained.
“And they can’t get out?”
“So it seems.”
An expression of distress appeared on Mrs. Chelifer’s gentle face. She
made a little clicking with her tongue against her teeth and sadly shook
her head. “Dear, dear,” she said, “dear, dear. And how do they get fed?”
“I’ve no idea,” said Mr. Cardan. “Perhaps they feed on one another.
People throw things down from time to time, no doubt.”
“There’s a dead one there, in the middle,” said Mrs. Chelifer; and a
note of something like reproach came into her voice, as though she found
that Mr. Cardan was to blame for the deadness of the little corpse at
the foot of the triumphal column.
“Very dead,” said Mr. Cardan.
They walked on. Mrs. Chelifer did not speak; she seemed preoccupied.
------------------------------------------------------------------------
CHAPTER V
“_An pris caruns flucuthukh_”; Mr. Cardan beckoned to the guide. “Bring
the lamp a little nearer,” he said in Italian, and when the light had
been approached, he went on slowly spelling out the primitive Greek
writing on the wall of the tomb: “_flucuthukh nun tithuial khues khathc
anulis mulu vizile ziz riin puiian acasri flucuper pris an ti ar vus ta
aius muntheri flucuthukh_.” He straightened himself up. “Charming
language,” he said, “charming! Ever since I learned that the Etruscans
used to call the god of wine Fufluns, I’ve taken the keenest interest in
their language. Fufluns—how incomparably more appropriate that is than
Bacchus, or Liber, or Dionysos! Fufluns, _Fufluns_,” he repeated with
delighted emphasis. “It couldn’t be better. They had a real linguistic
genius, those creatures. What poets they must have produced! ‘When
Fufluns _flucuthukhs_ the _ziz_’—one can imagine the odes in praise of
wine which began like that. You couldn’t bring together eight such
juicy, boozy syllables as that in English, could you?”
“What about ‘Ale in a Saxon rumkin then’?” suggested Chelifer.
Mr. Cardan shook his head. “It doesn’t compare with the Etruscan,” he
said. “There aren’t enough consonants. It’s too light, too fizzy and
trivial. Why, you might be talking about soda water.”
Public-domain text, read in full here on John Shaqi.
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