Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“But for all you know,” said Chelifer, “_flucuthukh_ in Etruscan may
mean soda water. Fufluns, I grant you, is apposite. But perhaps it was
just a fluke. You have no evidence to show that they fitted sound to
sense so aptly in other words. ‘When Fufluns _flucuthukhs_ the _ziz_’
may be the translation of ‘When Bacchus drowns the hock with soda.’ You
don’t know.”
“You’re quite right,” Mr. Cardan agreed. “I don’t. Nor does any one
else. My enthusiasm for Fufluns carried me away. _Flucuthukh_ may not
have the fruity connotation that a word with a sound like that ought to
have; it may even, as you say, mean soda water. Still, I continue to
hope for the best; I believe in my Etruscans. One day, when they find
the key to this fossilised language, I believe I shall be justified;
_flucuthukh_ will turn out to be just as appropriate as Fufluns—you mark
my words! It’s a great language, I insist; a great language. Who knows?
A couple of generations hence some new Busby or Keate may be drumming
Etruscan syntax and Etruscan prosody into the backsides of British
boyhood. Nothing would give me greater satisfaction. Latin and Greek
have a certain infinitesimal practical value. But Etruscan is totally
and absolutely useless. What better basis for a gentleman’s education
could possibly be discovered? It’s the great dead language of the
future. If Etruscan didn’t exist, it would be necessary to invent it.”
“Which is precisely what the pedagogues will have to do,” said Chelifer,
“there being no Etruscan literature beyond the inscriptions and the
rigmarole on the mummy-wrappings at Agram.”
Public-domain text, read in full here on John Shaqi.
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