Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Yes, I brought it on myself. For it was I who made the first advances.
It was I who, out of pure wantonness, provoked the sleeping, or at least
well-disciplined tiger that lay hidden in Dorothy Masson’s heart—put my
walking-stick between the bars and, against all the rules, poked it
rudely in the ribs. I got what I asked for.
I was like that wanton Blackamoor in one of old Busch’s misanthropically
comic picture-books.
Ein Mohr aus Bosheit und Pläsier
Schiesst auf das Elefantentier.
With his little arrow he punctures the placid pachyderm; and the
pachyderm takes his revenge, elaborately, through fourteen subsequent
woodcuts.
My only excuse—the recentness of that ludicrous catastrophe with which
the tragedy of Barbara had concluded—was an excuse that might equally
have served as an additional reason against doing what I did; I ought,
after having once been bitten, to have shown myself twice shy. But in
the state of misery in which I found myself I hoped that a second bite
might distract my attention from the anguish of the first. And even this
is not precisely accurate; for I never anticipated that the second would
really be a bite at all. I looked forward merely to a kind of playful
diversion, not to anything painful. True, when I found how serious the
affair threatened to become for Dorothy Masson, I might have guessed
that it would soon be serious also for myself, and have drawn back. But,
inspired by that high-spirited irresponsibility which I have come since
then so highly to admire in the natural, brutish human specimen, I
refused to consider possible consequences and went on in the course I
had begun. I was not in the least in love with the woman; nor did her
person inspire me with any specific desire. My motive forces were
misery, mingled with a kind of exasperation, and the vague itch of
recurrent appetite. More than half of the world’s “affairs” have no more
definite reasons for occurring. Ennui and itch are their first causes.
Subsequently imagination may come into play and love will be born. Or
experience may beget specific desires and in so doing may render one
party necessary to the happiness of the other, or each to each. Or
perhaps there will be no development at all and the affair will end
placidly as it began, in itch and ennui.
Public-domain text, read in full here on John Shaqi.
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