Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
This coffin, for instance—how can a man take pleasure in the beauty of
the church in which this boxful of decaying stuff is lying? What can be
more delightful than to look up the aisle of a great church and see at
the end of a long dark vista of round-headed arches a brightly illumined
segment of the drum of the cupola—the horizontal circle contrasting
harmoniously with the perpendicular half-circles of the arches? There is
nothing lovelier among all the works of man. But the coffin lies here
under the arches, reminding the connoisseur of beauty that there is
nothing but the body and that the body suffers degradingly, dies and is
eaten by maggots.
Mr. Cardan wondered how he would die. Slowly or suddenly? After long
pain? Intelligent, still human? Or an idiot, a moaning animal? He would
die poor, now, in any case. Friends would club together and send him a
few pounds every now and then. Poor old Cardan, can’t let him die in the
workhouse. Must send him five pounds. What a bore! Extraordinary how he
manages to last so long! But he was always a tough old devil. Poor old
Cardan!
A door banged; in the hollow echoing church there was a sound of
footsteps. It was the sacristan. He came to tell Mr. Cardan that they
would soon be ready to begin. They had hurried back from the fields on
purpose. The grapes were not so plentiful nor of quite such good quality
as they had been last year. But still, one thanked God for His mercies,
such as they were.
Blessed are the fools, thought Mr. Cardan, for they shall see nothing.
Or perhaps they do see and, seeing, nevertheless comfortingly believe in
future compensations and the justice of eternity. In either case—not
seeing, or seeing but believing—they are fools. Still, believing is
probably the best solution of all, Mr. Cardan went on to reflect. For it
allows one to see and not to ignore. It permits one to accept the facts
and yet justify them. For a believer the presence of a coffin or two
would not interfere with the appreciation of Sammicheli’s architecture.
Public-domain text, read in full here on John Shaqi.
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