Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
The bearers filed in, bringing with them from the fields a healthy smell
of sweat. They were dressed for the occasion in garments that ought, no
doubt, to have been surplices, but which were, in point of fact, rather
dirty and crumpled white dust-coats. They looked like a cricket eleven
entirely composed of umpires. After the bearers came the priest,
followed by a miniature umpire in a dust-coat so short that it did not
hide his bare knees. The service began. The priest reeled off his Latin
formulas as though for a wager; the bearers, in ragged and tuneless
unison, bawled back at him the incomprehensible responses. During the
longer prayers they talked to one another about the vintage. The boy
scratched first his head, then his posterior, finally picked his nose.
The priest prayed so fast that all the words fused together and became
one word. Mr. Cardan wondered why the Catholic Church did not authorise
prayer wheels. A simple little electric motor doing six or eight hundred
revolutions a minute would get through a quite astonishing amount of
pious work in a day and cost much less than a priest.
“Baa baba, baa baa, Boo-oo-baa,” bleated the priest.
“Boooo-baa,” came back from the bawling flock.
Not ceasing for a moment to pick his nose, the diminutive umpire, who
seemed to know his part as perfectly as a trained dog in a music hall,
handed the priest a censer. Waving it as he went, and rattling off his
pious Latin, he walked round and round the bier. Symbolic and religious
perfume! It had smoked in the stable of Bethlehem, in the midst of the
ammoniac smell of the beasts, the sign and symbol of the spirit. The
blue smoke floated up and was lost along the wind. On the surface of the
earth the beasts unremittingly propagate their kind; the whole earth is
a morass of living flesh. The smell of it hangs warm and heavy over all.
Here and there the incense burns; its smoke soon vanishes. The smell of
the beasts remains.
“Baa baba,” went the priest.
“Baa,” the choristers retorted, a fifth lower down the scale.
The boy produced water and a kind of whisk. Once more the priest walked
round the bier, sprinkling the water from the end of the wetted whisk;
the little umpire followed in his train, holding up the tail of his
outer garment. The bearers, meanwhile, talked to one another in serious
whispers about the grapes.
Sometimes, Mr. Cardan thought, the spirit plays its part so solemnly and
well that one cannot help believing in its reality and ultimate
significance. A ritual gravely performed is overwhelmingly convincing,
for the moment at any rate. But let it be performed casually and
carelessly by people who are not thinking of what the rite is meant to
symbolise; one perceives that there is nothing behind the symbols, that
it is only the acting that matters—the judicious acting of the body—and
that the body, the doomed, decaying body, is the one, appalling fact.
Public-domain text, read in full here on John Shaqi.
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