Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
The service was over; the bearers picked up the coffin and carried it to
the hearse that stood at the church door. The priest beckoned to Mr.
Cardan to follow him into the sacristy. There, while the little umpire
put away his censer and the whisk, he presented his bill. Mr. Cardan
paid.
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PART V: CONCLUSIONS
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PART V: Conclusions
CHAPTER I
“What are you thinking of?”
“Nothing,” said Calamy.
“Yes, you were. You must have been thinking about something.”
“Nothing in particular,” he repeated.
“Tell me,” Mary insisted. “I want to know.”
“Well, if you really want to know,” Calamy began slowly....
But she interrupted him. “And why did you hold up your hand like that?
And spread out the fingers? I could see it, you know; against the
window.” Pitch dark it was in the room, but beyond the unshuttered
windows was a starlit night.
Calamy laughed—a rather embarrassed laugh. “Oh, you saw it, did you—the
hand? Well, as a matter of fact, it was precisely about my hand that I
was thinking.”
“About your hand?” said Mary incredulously. “That seems a queer thing to
think about.”
“But interesting if you think about it hard enough.”
“Your hands,” she said softly, in another voice, “your hands. When they
touch me....” With a feminine movement of gratitude, of thanks for a
benefit received, she pressed herself more closely against him; in the
darkness she kissed him. “I love you too much,” she whispered, “too
much.” And at the moment it was almost true. The strong complete spirit,
she had written in her note-book, must be able to love with fury,
savagely, mindlessly. Not without pride, she had found herself complete
and strong. Once, at a dinner party, she had been taken down by a large
black and lemon coloured Argentine; unfolding his napkin, he had opened
the evening’s conversation, in that fantastic trans-Pyrenean French
which was his only substitute for the Castilian, by saying, with a roll
of his black eyes and a flashing ivory smile: “Jé vois qué vous avez du
temmperramenk.” “Oh, à revendre,” she had answered gaily, throwing
herself into the light Parisian part. How marvellously amusing! But that
was Life—Life all over. She had brought the incident into a short story,
long ago. But the Argentine had looked with an expert’s eye; he was
right. “I love you too much,” she whispered in the darkness. Yes, it was
true, it was nearly true, at the moment, in the circumstances. She took
his hand and kissed it. “That’s all _I_ think about your hand,” she
said.
Public-domain text, read in full here on John Shaqi.
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