Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Calamy was silent for a moment. “It’s difficult,” he said pensively,
“it’s horribly difficult. The fundamental question is this: Can you talk
of the soul being at the mercy of the body, can you give any kind of an
explanation of mind in terms of matter? When you reflect that it’s the
human mind that has invented space, time and matter, picking them out of
reality in a quite arbitrary fashion—can you attempt to explain a thing
in terms of something it has invented itself? That’s the fundamental
question.”
“It’s like the question of the authorship of the _Iliad_,” said Mr.
Cardan. “The author of that poem is either Homer or, if not Homer,
somebody else of the same name. Similarly, philosophically and even,
according to the new physics, scientifically speaking, matter may not be
matter, _really_. But the fact remains that something having all the
properties we have always attributed to matter is perpetually getting in
our way, and that our minds do, in point of fact, fall under the
dominion of certain bits of this matter, known as our bodies, changing
as they change and keeping pace with their decay.”
Calamy ran his fingers perplexedly through his hair. “Yes, of course,
it’s devilishly difficult,” he said. “You can’t help behaving _as if_
things really were as they seem to be. At the same time, there _is_ a
reality which is totally different and which a change in our physical
environment, a removal of our bodily limitations would enable us to get
nearer to. Perhaps by thinking hard enough....” He paused, shaking his
head. “How many days did Gotama spend under the bo-tree? Perhaps if you
spend long enough and your mind is the right sort of mind, perhaps you
really do get, in some queer sort of way, beyond the limitations of
ordinary existence. And you see that everything that seems real is in
fact entirely illusory—_maya_, in fact, the cosmic illusion. Behind it
you catch a glimpse of reality.”
“But what bosh your mystics talk about it,” said Mr. Cardan. “Have you
ever read Boehme, for example? Lights and darknesses, wheels and
compunctions, sweets and bitters, mercury, salt and sulphur—it’s a
rigmarole.”
“It’s only to be expected,” said Calamy. “How is a man to give an
account of something entirely unlike the phenomena of known existence in
a language invented to describe these phenomena? You might give a deaf
man a most detailed verbal description of the Fifth Symphony; but he
wouldn’t be much the wiser for it, and he’d think you were talking pure
balderdash—which from his point of view you would be....”
“True,” said Mr. Cardan; “but I have my doubts whether any amount of
sitting under bo-trees really makes it possible for any one to wriggle
out of human limitations and get behind phenomena.”
Public-domain text, read in full here on John Shaqi.
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