Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“Quite right,” said Mr. Cardan. “All of which was merely meant to show
how exciting even eating might become if religion were brought into it,
if dinner were made a mystery and the imagination thoroughly stirred
every time the gong sounded. Conversely, how tedious love becomes when
it is taken as matter-of-factly as eating dinner. It was essential for
the men and women of 1830, if they didn’t want to die of pure boredom,
to invent the _pauvre faible femme_, the martyr, the angel, the sister
of charity, to talk like the Bible while they were consummating the
devil’s work. The sort of love that their predecessors of the eighteenth
century and the empire had made was too prosaic a business. They turned
to hypocrisy in mere self-preservation. But the present generation,
tired of playing at Madame Marneffe, has reverted to the empire notions
of Baron Hulot.... Emancipation is excellent, no doubt, in its way. But
in the end it defeats its own object. People ask for freedom; but what
they finally get turns out to be boredom. To those for whom love has
become as obvious an affair as eating dinner, for whom there are no
blushful mysteries, no reticences, no fancy-fostering concealments, but
only plain speaking and the facts of nature—how flat and stale the whole
business must become! It needs crinolines to excite the imagination and
dragonish duennas to inflame desire to passion. Too much light
conversation about the Oedipus complex and anal-erotism is taking the
edge off love. In a few years, I don’t mind prophesying, you young
people will be whispering to one another sublime things about angels,
sisters of charity and the infinite. You’ll be sheathed in Jaeger and
pining behind bars. And love, in consequence, will seem incomparably
more romantic, more alluring than it does in these days of
emancipation.” Mr. Cardan spat out the pips of his last grape, pushed
the fruit plate away from him, leaned back in his chair and looked about
him triumphantly.
“How little you understand women,” said Mrs. Aldwinkle, shaking her
head. “Doesn’t he, Mary?”
“Some women, at any rate,” Miss Thriplow agreed. “You seem to forget,
Mr. Cardan, that Diana is quite as real a type as Venus.”
“Exactly,” said Mrs. Aldwinkle. “You couldn’t have put it more
succinctly.” Eighteen years ago, she and Mr. Cardan had been lovers.
Elzevir, the pianist, had succeeded him—a short reign—to be followed
by Lord Trunion—or was it Dr. Lecoing?—or both? At the moment Mrs.
Aldwinkle had forgotten these facts. And when she did remember, it
was not quite in the way that other people—Mr. Cardan, for
example—remembered them. It was all wonderfully romantic, now; and
she had been Diana all the time.
“But I entirely agree with you,” said Mr. Cardan. “I unequivocally admit
the existence of Artemis. I could even prove it for you empirically.”
“That’s very good of you,” said Mrs. Aldwinkle, trying to be sarcastic.
Public-domain text, read in full here on John Shaqi.
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