Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
“It’s this mania for keeping up to date,” said Mr. Cardan, “that has
killed the art of reading. Most of the people I know read three or four
daily newspapers, look at half a dozen weeklies between Saturday and
Monday, and a dozen reviews at the end of every month. And the rest of
the time, as the Bible with justifiable vigour would put it, the rest of
the time, they are whoring after new fiction, new plays and verses and
biographies. They’ve no time to do anything but skim along
uncomprehendingly. If you must complicate the matter by writing tragedy
in terms of farce you can only expect confusion. Books have their
destinies like men. And their fates, as made by generations of readers,
are very different from the destinies foreseen for them by their
authors. _Gulliver’s Travels_, with a minimum of expurgation, has become
a children’s book; a new illustrated edition is produced every
Christmas. That’s what comes of saying profound things about humanity in
terms of a fairy story. The publications of the Purity League figure
invariably under the heading ‘Curious’ in the booksellers’ catalogues.
The theological and, to Milton himself, the fundamental and essential
part of _Paradise Lost_ is now so ludicrous that we ignore it
altogether. When somebody speaks of Milton, what do we call to mind? A
great religious poet? No. Milton means for us a collection of isolated
passages, full of bright light, colour and thunderous harmony, hanging
like musical stars in the lap of nothing. Sometimes the adult
masterpieces of one generation become the reading of schoolboys in the
next. Does any one over sixteen now read the poems of Sir Walter Scott?
or his novels, for that matter? How many books of piety and morality
survive only for their fine writing! and how our interest in the merely
aesthetic qualities of these books would have scandalised their authors!
No, at the end of the account it is the readers who make the book what
it ultimately is. The writer proposes, the readers dispose. It’s
inevitable, Miss Mary. You must reconcile yourself to fate.”
“I suppose I must,” said Miss Thriplow.
Public-domain text, read in full here on John Shaqi.
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