Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Tenderly she rumpled Irene’s hair. And at this very moment, Mr. Falx was
meditating, at this very moment, on tram-cars in the Argentine, among
Peruvian guano-beds, in humming power-stations at the foot of African
waterfalls, in Australian refrigerators packed with slaughtered mutton,
in the heat and darkness of Yorkshire coal-mines, in tea-plantations on
the slopes of the Himalaya, in Japanese banks, at the mouth of Mexican
oil-wells, in steamers walloping along across the China Sea—at this very
moment, men and women of every race and colour were doing their bit to
supply Mrs. Aldwinkle with her income. On the two hundred and seventy
thousand pounds of Mrs. Aldwinkle’s capital the sun never set. People
worked; Mrs. Aldwinkle led the higher life. She for art only,
they—albeit unconscious of the privilege—for art in her.
Young Lord Hovenden sighed. If only it were he whose fingers were
playing in the smooth thick tresses of Irene’s hair! It seemed an awful
waste that she should be so fond of her Aunt Lilian. Somehow, the more
he liked Irene the less he liked Aunt Lilian.
“Haven’t you sometimes longed to be an artist yourself, Hovenden?” Mrs.
Aldwinkle suddenly asked. She leaned forward, her eyes glittering with
the reflected light of two or three hundred million remote suns. She was
going to suggest that he might try his hand at poetical rhapsodies about
political injustice and the condition of the lower classes. Something
half-way between Shelley and Walt Whitman.
“Me!” said Hovenden in astonishment. Then he laughed aloud: Ha, ha, ha!
It was a jarring note.
Mrs. Aldwinkle drew back, pained. “I don’t know why you should think the
idea so impossibly comic,” she said.
“Perhaps he has other work to do,” said Mr. Falx out of the darkness.
“More important work.” And at the sound of that thrilling, deep,
prophetical voice Lord Hovenden felt that, indeed, he had.
“More important?” queried Mrs. Aldwinkle. “But can anything be more
important? When one thinks of Flaubert....” One thought of
Flaubert—working through all a fifty-four hour week at a relative
clause. But Mrs. Aldwinkle was too enthusiastic to be able to say what
followed when one had thought of Flaubert.
“Think of coal-miners for a change,” said Mr. Falx in answer. “That’s
what I suggest.”
“Yes,” Lord Hovenden agreed, gravely nodding. A lot of his money came
from coal. He felt particularly responsible for miners when he had time
to think of them.
“Think,” said Mr. Falx in his deep voice; and he relapsed into a silence
more eloquently prophetical than any speech.
Public-domain text, read in full here on John Shaqi.
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