Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
But in any case, every inconvenience was paid for a thousand times by
the delights of these confidential conversations in front of the
dressing-table mirror. While the young girl brushed and brushed away at
the long tresses of pale golden-brown hair, Mrs. Aldwinkle, her eyes
shut, and with an expression of beatitude on her face—for she took a
cat’s pleasure in the brushing—would talk, spasmodically, in broken
sentences, of the events of the day, of her guests, of the people they
had met; or of her own past, of plans for the future—hers or Irene’s—of
love. On all these subjects Mrs. Aldwinkle spoke intimately,
confidentially, without reserve. Feeling that she was being treated by
her Aunt Lilian as entirely grown-up and almost as an equal, Irene was
proud and grateful. Without deliberately setting out to complete the
subjugation of her niece, Mrs. Aldwinkle had discovered, in those
midnight conversations, the most perfect means for achieving this end.
If she talked like this to Irene, it was merely because she felt the
need of talking intimately to some one, and because there was nobody
else to talk to. Incidentally, however, she had contrived in the process
to make the girl her slave. Made her Aunt Lilian’s confidant, invested,
so to speak, with a title of honour, Irene felt a gratitude which
strengthened her original childish attachment to her aunt.
Meanwhile, she had learned to talk with an airy familiarity of many
things concerning which young girls are supposed to be ignorant, and of
which, indeed, she herself knew, except intellectually and at second
hand, nothing. She had learned to be knowing and worldly wise, in the
void, so to speak, and with no personal knowledge of the world. Gravely,
ingenuously, she would say things that could only be uttered out of the
depths of the profoundest innocence, amplifying and making
embarrassingly explicit in public things that Mrs. Aldwinkle had only
fragmentarily hinted at in the confidential small hours. She regarded
herself as immensely mature.
To-night Mrs. Aldwinkle was in a rather gloomy, complaining mood.
“I’m getting old,” she said, sighing, and opening her eyes for a moment
to look at her image in the glass that confronted her. The image did not
deny the statement. “And yet I always feel so young.”
“That’s what really matters,” Irene declared. “And besides, it’s
nonsense; you’re not old; you don’t look old.” In Irene’s eyes,
moreover, she really didn’t look old.
“People don’t like one any more when one gets old,” Mrs. Aldwinkle
continued. “Friends are terribly faithless. They fall away.” She sighed.
“When I think of all the friends....” She left the sentence unfinished.
Public-domain text, read in full here on John Shaqi.
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