Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
Once, I remember, I managed to advance so far along the road of coherent
and intelligent conversation as to ask her what books she liked best.
She looked at me unwaveringly while I spoke. It was I who reddened and
turned away. She had an unfair advantage over me—the advantage of being
able to look out from between her narrowed eyelids as though from an
ambush. I was in the open and utterly without protection.
“I don’t read much,” she said at last, when I had finished. “I don’t
really very much like reading.”
My attempt to approach, to make contact, was baffled. At the same time I
felt that I ought to have known that she wouldn’t like reading. After
all, what need was there for her to read? When one is life itself, one
has no use for mere books. Years later she admitted that she had always
made an exception for the novels of Gene Stratton-Porter. When I was
seventeen she went to live with another set of relations in South
Africa.
Time passed. I thought of her constantly. All that I read of love in the
poets arranged itself significantly round the memory of that lovely and
secretly smiling face. My friends would boast about their little
adventures. I smiled unenviously, knowing not merely in theory but by
actual experience that that sort of thing was not love. Once, when I was
a freshman at the university, I myself, at the end of a tipsy evening in
a night club, lapsed from the purity in which I had lived up till then.
Afterwards, I was horribly ashamed. And I felt that I had made myself
unworthy of love. In consequence—the link of cause and effect seems to
me now somewhat difficult to discover, but at the time, I know, I found
my action logical enough—in consequence I overworked myself, won two
university prizes, became an ardent revolutionary and devoted many hours
of my leisure to “social service” in the college Mission. I was not a
good social servant, got on only indifferently well with fierce young
adolescents from the slums and thoroughly disliked every moment I spent
in the Mission. But it was precisely for that reason that I stuck to the
job. Once or twice, even, I consented to join in the morris dancing in
my mother’s garden. I was making myself worthy—for what? I hardly know.
The possibility of marriage seemed almost infinitely remote; and somehow
I hardly desired it. I was fitting myself to go on loving and loving,
and incidentally to do great things.
Then came the war. From France I wrote her a letter, in which I told her
all the things I had lacked the power to say in her presence. I sent the
letter to the only address I knew—she had left it years before—not
expecting, not even hoping very much, that she would receive it. I wrote
it for my own satisfaction, in order to make explicit all that I felt. I
had no doubt that I should soon be dead. It was a letter addressed not
so much to a woman as to God, a letter of explanation and apology posted
to the universe.
Public-domain text, read in full here on John Shaqi.
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