Artists and patrons -- Fiction; Authors and readers -- Fiction; Humorous stories; Italy -- Fiction; Satire
In the winter of 1916 I was wounded. At the end of my spell in hospital
I was reported unfit for further active service and appointed to a post
in the contracts department of the Air Board. I was put in charge of
chemicals, celluloid, rubber tubing, castor oil, linen and balloon
fabrics. I spent my time haggling with German Jews over the price of
chemicals and celluloid, with Greek brokers over the castor oil, with
Ulstermen over the linen. Spectacled Japanese came to visit me with
samples of crêpe de Chine which they tried to persuade me—and they
offered choice cigars—would be both better and cheaper than cotton for
the manufacture of balloons. Of every one of the letters I dictated
first eleven, then seventeen, and finally, when the department had
flowered to the height of its prosperity, twenty-two copies were made,
to be noted and filed by the various sub-sections of the ministry
concerned. The Hotel Cecil was filled with clerks. In basements two
stories down beneath the surface of the ground, in attics above the
level of the surrounding chimney-pots, hundreds of young women tapped
away at typewriters. In a subterranean ball-room, that looked like the
setting for Belshazzar’s feast, a thousand cheap lunches were daily
consumed. In the hotel’s best bedrooms overlooking the Thames sat the
professional civil servants of long standing with letters after their
names, the big business men who were helping to win the war, the staff
officers. A fleet of very large motor cars waited for them in the
courtyard. Sometimes, when I entered the office of a morning, I used to
imagine myself a visitor from Mars....
One morning—it was after I had been at the Air Board for several
months—I found myself faced with a problem which could only be solved
after consultation with an expert in the Naval Department. The naval
people lived in the range of buildings on the opposite side of the
courtyard from that in which our offices were housed. It was only after
ten minutes of labyrinthine wanderings that I at last managed to find
the man I was looking for. He was a genial fellow, I remember; asked me
how I liked Bolo House (which was the nickname among the knowing of our
precious Air Board office), gave me an East Indian cheroot and even
offered whiskey and soda. After that we settled down to a technical chat
about non-inflammable celluloid. I left him at last, much enlightened.
“So long,” he called after me. “And if ever you want to know any mortal
thing about acetone or any other kind of bloody dope, come to me and
I’ll tell you.”
“Thanks,” I said. “And if by any chance you should happen to want to
know about Apollonius Rhodius, shall we say, or Chaucer, or the history
of the three-pronged fork....”
He roared very heartily. “I’ll come to you,” he concluded.
Public-domain text, read in full here on John Shaqi.
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