Would the reader care to know something about the story which I pulled
out? He has been told many a time how the born-and-trained novelist
works. Won't he let me round and complete his knowledge by telling him
how the jack-leg does it?
Originally the story was called “Those Extraordinary Twins.” I meant to
make it very short. I had seen a picture of a youthful Italian “freak”
or “freaks” which was--or which were--on exhibition in our cities--a
combination consisting of two heads and four arms joined to a single
body and a single pair of legs--and I thought I would write an
extravagantly fantastic little story with this freak of nature for
hero--or heroes--a silly young miss for heroine, and two old ladies and
two boys for the minor parts. I lavishly elaborated these people
and their doings, of course. But the tale kept spreading along, and
spreading along, and other people got to intruding themselves and taking
up more and more room with their talk and their affairs. Among them
came a stranger named Pudd'nhead Wilson, and a woman named Roxana; and
presently the doings of these two pushed up into prominence a young
fellow named Tom Driscoll, whose proper place was away in the obscure
background. Before the book was half finished those three were taking
things almost entirely into their own hands and working the whole tale
as a private venture of their own--a tale which they had nothing at all
to do with, by rights.
When the book was finished and I came to look around to see what had
become of the team I had originally started out with--Aunt Patsy Cooper,
Aunt Betsy Hale, the two boys, and Rowena the light-weight heroine--they
were nowhere to be seen; they had disappeared from the story some time
or other. I hunted about and found them--found them stranded, idle,
forgotten, and permanently useless. It was very awkward. It was awkward
all around; but more particularly in the case of Rowena, because there
was a love-match on, between her and one of the twins that constituted
the freak, and I had worked it up to a blistering heat and thrown in
a quite dramatic love-quarrel, wherein Rowena scathingly denounced her
betrothed for getting drunk, and scoffed at his explanation of how it
had happened, and wouldn't listen to it, and had driven him from her in
the usual “forever” way; and now here she sat crying and broken-hearted;
for she had found that he had spoken only the truth; that it was not he,
but the other half of the freak, that had drunk the liquor that made him
drunk; that her half was a prohibitionist and had never drunk a drop
in his life, and, although tight as a brick three days in the week, was
wholly innocent of blame; and indeed, when sober, was constantly doing
all he could to reform his brother, the other half, who never got any
satisfaction out of drinking, anyway, because liquor never affected him.
Yes, here she was, stranded with that deep injustice of hers torturing
her poor torn heart.
Public-domain text, read in full here on John Shaqi.
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