"Those Holy Fields." Palestine, Illustrated by Pen and Pencil — John Shaqi
"Those Holy Fields." Palestine, Illustrated by Pen and PencilManning, Samuel
History
"Those Holy Fields." Palestine, Illustrated by Pen and Pencil
Manning, Samuel
Palestine -- Description and travel
Soon Bethlehem[59] comes into view—a white-walled village of about three
thousand inhabitants, all Christians. They are, however, a turbulent,
quarrelsome set, ever fighting amongst themselves or with their
neighbours. In the disturbances which take place so frequently at
Jerusalem, it is said that the ringleaders are commonly found to be
Bethlehemites. The women are remarkable for personal beauty. I saw more
handsome faces here in a few hours than elsewhere in the East in many
days. The dress, which is peculiar, is very becoming. A sort of tiara of
some bright metal encircles the head over which is folded a white cloth
which hangs down upon the shoulders. The men are strong, lithe,
well-built fellows, and I saw several young shepherds, who were models
of manly vigour. Here, as elsewhere in the East, the pastoral pipe is in
constant use. The shepherd-lad makes it for himself, shaping the
mouth-piece out of some hard wood, and using a hollow reed for the pipe.
I cannot say much in praise of the music they produce.
[Illustration: GATE OF BETHLEHEM.]
Bethlehem stands on the crest of a ridge of Jurassic limestone. As it is
surmounted by higher hills, however, the view from it is not very
extensive. Jerusalem, though only six miles distant, is hidden by an
intervening height. But through the valleys stretching away eastward to
the Dead Sea, fine views are gained of the mountains of Moab, and from
the flat roof of the Latin Convent part of the Dead Sea itself is
visible.
[Illustration: WOMEN OF BETHLEHEM.]
Passing over the two disgraceful events connected with Bethlehem, during
the period of anarchy described in the concluding chapters of the Book
of Judges,[60] we come to that exquisite idyll, the beauty of which,
apart from its religious bearing, invests the scene with a charm,
amounting to fascination. Read the history of Ruth on the spot, and
every minutest detail acquires a new interest and meaning. We can trace
the journey of Elimelech and his family, as, driven by stress of famine,
they make their way toward that long line of purple mountains against
the eastern sky—some twenty miles distant. We see the two childless
widows return—Naomi, proud and bitter in her poverty and bereavement,
rejecting the greetings of the townspeople: “Call me not Naomi
(_pleasant_), call me Mara (_bitter_): for the Almighty hath dealt very
bitterly with me. I went out full, and the Lord hath brought me home
again empty: why then call ye me Naomi, seeing the Lord hath testified
against me, and the Almighty hath afflicted me?”[61] We see the young
Moabitess with her strange beauty and gentleness winning all hearts.
Amongst the youths and maidens around us, it is easy to believe that her
descendants are not wanting.
[Illustration: SHEPHERD OF BETHLEHEM.]
[Illustration: EASTERN GLEANERS.]
Public-domain text, read in full here on John Shaqi.
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