"Those Holy Fields." Palestine, Illustrated by Pen and PencilManning, Samuel
History
"Those Holy Fields." Palestine, Illustrated by Pen and Pencil
Manning, Samuel
Palestine -- Description and travel
Escaping from the rabble of Arabs clamouring for backshish, we resumed
our journey. The rain had ceased, and a few breaks in the clouds
encouraged a hope that we might gain a view of the city not utterly
disappointing. But we were quite unprepared for the view which awaited
us on reaching the summit of Olivet. Seen under any circumstances, it is
one never to be forgotten. The deep ravine of the Kedron below us—the
city on the opposite hill, with its grey venerable walls, its broad
marble platform, in the centre of which stands the exquisite dome of the
mosque of Omar—the picturesque mass of cupolas and minarets standing out
against the sky—the surrounding valleys and hills dotted with villages
and ruined towers and olive groves—need no aid from the associations of
the spot to make it a most striking view. But when we add those
associations—so sacred, so tender, so sublime—it is not to be wondered
at that every visitor feels himself at a loss to express the emotions
which it awakens.
[Illustration:
_From a Sketch by Capt. Maian._
BETHANY.
]
Nothing, however, which I had heard or read had prepared me for the
view which broke upon us as we ascended the minaret on the summit of
Olivet. The vast marble platform of the Temple, the dome of the
mosque, the roofs of El-Aksa, the innumerable cupolas and flat roofs
of the city, were all running with water from the heavy rain. Through
rifts in the clouds long slanting beams of sunlight fell upon them
with a dazzling splendour. The city flashed and shone like molten
silver. All the meanness and squalor of its degradation was lost in
the radiance which veiled it. The storm-clouds had drifted away
eastward, and settled dark and heavy over the valley of the Dead Sea,
blotting it out from view by their gloomy mass. Above the line of
clouds rose the mountains of Moab, purple in the light of the
descending sun. Only one more touch of beauty, only one more
suggestion of hallowed thought, was possible. This was furnished by a
rainbow—symbol of Divine mercy and compassion—spanning the storm-cloud
which hung above the valley of Sodom. On the one side was the city of
God, radiant in the “clear shining after rain;” on the other the city
of destruction, veiled in darkness and gloom, yet not utterly
abandoned by our gracious and covenant-keeping God.
[Illustration: CHURCH ON THE SUMMIT OF THE MOUNT OF OLIVES.]
Public-domain text, read in full here on John Shaqi.
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