Those Times and TheseCobb, Irvin S. (Irvin Shrewsbury)
General
Those Times and These
Cobb, Irvin S. (Irvin Shrewsbury)
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
His shoulders began to hunch and his hands to curl up into fists.
Ophelia's rising agitation was tempered perhaps by the realisation of
the fact that for her favour two persons, both well known and
prominent in their respective spheres of activity, were about to have
words--possibly to exchange threats, or even blows. To be the storm
centre of such a sensation is not always entirely unpleasant, especially
if one be young and personable. She spoke now in a voice clearly audible
to several about her.
“Please, suzz, gen'lemen, both of you be nice an' quiet!” she implored.
“I trusts there ain't goin' be no trouble 'cause of me.”
“'Tain't goin' be no trouble, gal,” stated Smooth, as Jeff sat dumb with
apprehension. “'Tain't goin' be nothin' but a pleasure to me to haul off
an' knock dis little nigger naiked.” He addressed Jeff: “Git up outen
dat cheer, lak I tells you! Start travellin', an' keep on travellin'.
Git plum' out of dis yere buildin'!” Daunted to the very taproots of his
being, Jeff nevertheless strove to save his face. He made pretense that
his cough prevented the utterance of a defiant rejoinder as he rose
and backed out into the aisle and worked his way toward the rear, with
Smooth Crumbaugh's glower following after him. Perhaps the excellence
of his acting may have deceived some, but in his own soul Jeff suffered
amain.
Far back, hard by the refreshment stand, he wriggled himself in behind
an intervening frieze of standees. His judgment warned him that he
should heed Smooth Crumbaugh's wishes and entirely betake himself hence;
but his crushed and bruised spirit revolted against a surrender so
abject and so utter. He told himself he had given up his chair because
he did not care to be sitting down, anyway. Even so, this was a free
country and he would stay a while longer if he wanted to stay. Only, he
meant to keep yards of space and plenty of bystanders between him and
Smooth Crumbaugh. He would be self-effacive, but not absolutely absent.
With an ear dulled by chagrin, he hearkened as the Reverend Grasty rose
and opened his discourse touching on the life and works of the late Red
Hoss Shackleford. The speaker's very first words made it clear to all
that he had come to bury Cæsar--not to praise him. Really, the only
complimentary thing which might truthfully be said of Red Hoss was that
always he had a good appetite. At once the Reverend Grasty manifested
that he meant to adopt no weak and temporising course in his discussion
of the subject in hand. Forthrightly he launched into a stirring recital
of the shortcomings of the deceased; and out of his topic's sins, cut
off in the midst of his impenitence, he builded a vivid lesson to warn
the living.
If one might judge by her behaviour, the lorn half sister resented not
the attitude and the language of the orator. She forgot to faint and she
sat erect. Presently she was chanting an accompaniment to his shouted
illustrations.
Public-domain text, read in full here on John Shaqi.
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