Those Times and TheseCobb, Irvin S. (Irvin Shrewsbury)
General
Those Times and These
Cobb, Irvin S. (Irvin Shrewsbury)
Short stories, American; United States -- Social life and customs -- 20th century -- Fiction
“In fact, son,” concluded Sergeant Bagby, “you mout safely say that,
takin' one thing with another, this country is turnin' out to be quite a
success.”
CHAPTER II. AND THERE WAS LIGHT
SO many things that at first seem amazingly complex turn out amazingly
simple. The purely elemental has a trick of ambushing itself behind a
screen of mystery; but when by deduction and elimination--in short, by
the simple processes of subtraction and division--we have stripped away
the mask, the fact stands so plainly revealed we marvel that we did
not behold it from the beginning. Elemental, you will remember, was a
favourite word with Mr. Sherlock Holmes, and one much employed by him in
the elucidation of problems in criminology for the better enlightenment
of his sincere but somewhat obvious-minded friend, the worthy Doctor
Watson.
On the other hand, traits and tricks that appear to betray the
characters, the inclinations and, most of all, the vocations of their
owners may prove misleading clues, and very often do. You see a black
man with a rolling gait, who spraddles his legs when he stands and sways
his body on his hips when he walks; and, following the formula of the
deductionist cult of amateur detectives, you say to yourself that here,
beyond peradventure, is a deep-water sailor, used to decks that heave
and scuppers that flood. Inquiry but serves to prove to you how wrong
you are. The person in question is a veteran dining-car waiter.
Then along comes another--one with a hearty red face, who rears well
back and steps out with martial precision. Evidently a retired officer
of the regular army, you say to yourself. Not at all; merely the former
bass drummer of a military brass band. The bass drummer, as will readily
be recalled, leans away from his instrument instead of toward it.
For a typical example of this sort of thing, let us take the man I have
in mind for the central figure of this tale. He was a square-built man,
round-faced, with a rather small, deep-set grey eye, and a pair of big
hands, clumsy-looking but deft. He wore his hair short and his upper
lip long. Appraising him upon the occasion of a chance meeting in the
street, you would say offhand that this, very probably, was a man who
had been reasonably successful in some trade calling for initiative
and expertness rather than for technic. He wouldn't be a theatrical
manager--his attire was too formal; or a stockbroker--his attire was not
formal enough.
I imagine you in the act of telling yourself that he might be a clever
life-insurance solicitor, or a purchasing agent for a trunk line, or a
canny judge of real-estate values--a man whose taste in dress would run
rather to golf stockings than to spats, rather to soft hats than to
hard ones, and whose pet hobby would likely be trout flies and not first
editions. In a part of your hypothesis you would have been absolutely
correct. This man could do things with a casting rod and with a mid-iron
too.
Public-domain text, read in full here on John Shaqi.
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