Thoth: A RomanceNicholson, J. Shield (Joseph Shield)
Science
Thoth: A Romance
Nicholson, J. Shield (Joseph Shield)
English fiction -- 19th century
Suddenly the noise which he had heard in his dreams was repeated;
now there could be no doubt. He heard distinctly the masses of stone
striking the waters, and the rush of the waters over them. He knew
for a certainty that the barrier of the temple, which was to fall and
give access to the light of the sun only on the day when mankind was
doomed to be exterminated, had fallen. What his dream had pictured
as the plunge of the lion, had been the fall of the outer barrier;
and now he had heard the innermost wall—the dreadful veil, the fall
of which was to reveal the most terrible spectacle ever enacted on
this earth—fall irrevocably into the poisonous lake. In a moment, he
thought, the awful ceremony will commence: even now the dead are raised
and eagerly expecting the consummation of their hatred; the music is
breathing out the solemn, gentle strains, that will soon swell into
maddening peals, and rouse the fury of the haters of men from its
slumber of ten thousand years. It is no longer a thought: he can hear
the weird sounds, which welcome the dead to life, and form a fitting
prelude to the awful catastrophe. What can he do? Even now, though
the Egyptian should have his hand on the key of the gates of death,
Philetos imagines that could he see him face to face, he would forego
his revenge, and dare to disobey and dishonour his ancestors. He is
certain that this is the work of the priest, and still believes the
Egyptian to be his friend. There is one chance still: if he can gain
access to the temple he will plead the cause of men, and perchance save
them. He rushes from his chamber, and nothing hinders his advance down
the dreary corridor that leads to the temple gate. Fleeter than the
deer he passes along; the roof re-echoes the tread of his feet, and the
hollow clang seems like the shriek of despair; the fitful light of the
few flickering lamps is pallid and ghastly, and seems to fall with the
greatest intensity on the bas-reliefs, which he knows represent the
final sufferings of man. The thick humid air seems to fan him like a
wind, so fleetly does he run. In so brief a space has he accomplished
the entire length, that hardly could the priest have turned to bar
the gate of the temple, even if he had been aware of the object of
Philetos. But so engrossed were both he and the Egyptian, that they
heard not the advancing steps, and he passed the door, and was already
advancing along the central aisle, before he was perceived. On opening
the massive gate, a spectacle so terrible met his gaze, that nothing
but the lofty purpose with which he was animated could give him
strength and courage to pass through the temple.
Public-domain text, read in full here on John Shaqi.
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