Our Lord's ascension will have to be understood as a sublime idea, materialised in the language of children. Is not a real fact that happened, in a world in which nothing can happen against the will of God, better than any miracle? Why should we try to know more than we can know, if only we firmly believe that Christ's immortal spirit ascended to the Father? That alone is true immortality, divine immortality; not the resuscitation of the frail mortal body, but the immortality of the immortal divine soul. It was this rising of the Spirit, and not of the body, without which, as St. Paul said, our faith would be vain. It is the Spirit that quickeneth, the flesh profiteth nothing. _Gifford Lectures, III._ It will be to many of the honest disciples of Christ a real day of Damascus, when the very name of miracle shall be struck out of the dictionary of Christian theology. The facts remain exactly as they are, but the Spirit of truth will give them a higher meaning. What is wanted for this is not less, but more, faith, for it requires more faith to believe in Christ without, than with, the help of miracles. Nothing has produced so much distress of mind, so much intellectual dishonesty, so much scepticism, so much unbelief, as the miraculous element forced into Christianity from the earliest days. Nothing has so much impeded missionary work as the attempt to persuade people first not to believe in their own miracles, and then to make a belief in other miracles a condition of their becoming Christians. It is easy to say 'You are not a Christian if you do not believe in Christian miracles.' I hope the time will come when we shall be told, 'You are not a Christian if you cannot believe in Christ without the help of miracles.' _Gifford Lectures, III._ MUSIC Music is the language of the soul, but it defies interpretation. It means something, but that something belongs not to this world of sense and logic, but to another world, quite real, though beyond all definition.... Is there not in Music, and in Music alone of all the arts, something that is not entirely of this earth?... Whence comes melody? Surely not from anything that we hear with our outward ears and are able to imitate, to improve, or to sublimise.... Here if anywhere we see the golden stairs on which angels descend from heaven and whisper sweet sounds into the ears of those who have ears to hear. Words cannot be so inspired, for words, we know, are of the earth, earthy. Melodies are not of the earth, and it is truly said, 'Heard melodies are sweet, but those unheard are sweeter.' _Auld Lang Syne._ NATURE