Three Courses and a Dessert: Comprising Three Sets of Tales, West Country, Irish, and Legal; and a MelangeClarke, William
General
Three Courses and a Dessert: Comprising Three Sets of Tales, West Country, Irish, and Legal; and a Melange
Clarke, William
Ireland -- Social life and customs -- Fiction; Legal stories, English; West Country (England) -- Social life and customs -- Fiction
least, to punish Duck; and if he wasn't determined before, he certainly
became so on hearing this, and wint to work at once on a plan he had
laid down for the occasion.
Alice, you'll recollect, had been a widow: her first husband's picture,
larger, if anything, than life,--as little men's pictures usually
are,--was hung up in the parlour while he was alive; but after Alice got
married again, and a year or two had gone by, somehow it found its way
into a lumber room, at the top of the house. Duck discovered it in his
rambles; and with it, in the same room, three or four suits which the
ould tailor had left off in his life-time, a cocked hat he wore on high
days and holidays, and a smooth cane he carried on Sundays. These were
all fine matarials, and Duck didn't fail to make use of them. He claned
and patched up a suit of the clothes, brushed the hat, scoured the
cane, made an effigy of straw, and dressed it up mighty nate and all
that,--for Duck, though obstinate and dull at his trade, was 'cute and
ingenious in all sorts of mischief-making. When he'd got so far, he cut
the face out of the picture, washed it with something till it looked as
good as new, fixed it into the neck of the figure, with the hat on its
brow, and a white cravat under its chin. He then fastened the cane, by
manes of an ould glove, to the cuff of the right sleeve; and while the
master was out one night, brought it down stairs, propped it up against
the parlour door, and then giving a knock, got away in the dark. When
the ould woman opened the door, the figure bent forward, with the hat
on its head and the cane in its hand, just as though it would enter, and
looking for all the world like life itself!
Ould Alice shrieked, but Duck had taken care no one should come to her,
for he'd locked and barred the entrance from that part of the house
were the 'prentices and servants were, to the passage which led to the
parlour. But Alice wasn't the only one who made a great noise in the
house that night. The moment she first cried out, at seeing what she
thought was the ghost of the late tailor, her husband, and all the while
she lay screaming in the parlour, Duck Davie was keeping time with
her in the passage, by shouting under the blows of the switch, which
belaboured him this time, so unmercifully, that he took up the figure,
and got away with it out of the house.
Duck Davie never darkened the tailor's door again: he travelled all
night on foot, resolving to find some place, if he could, where there
was no ould women to torment or tempt him, or where the witch's switch
couldn't reach his shoulders. He got harbour and work elsewhere, and
wint on for a few years tolerably well, considering all things; but he
found to his cost that there was ould women everywhere, and it wasn't
aisy to get away from the switch he dreaded. Elderly persons of the fair
sex were occasionally vexatious to him; and his disposition now and then
broke out so as to summon the switch to his shoulders.
Public-domain text, read in full here on John Shaqi.
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