Mr. Dwight was severely classical in his taste and admitted new
composers grudgingly. He lived in a world created by the early composers
and loved, I think, above all others, Bach, Mozart, and Beethoven. To
opera, he was not only indifferent, but hostile; unless it was “Don
Giovanni”, “Fidelio”, the “Magic Flute”, or “Orpheus and Eurydice.” He
spoke of the opera as the “siren.” Ravenously as I devoured the immense
store of musical knowledge he so generously shared with me, I could not
stop my ears to the siren’s voice. He never forgave me for going to
“Ernani”, when he had invited me to Bach’s “Passion Music.” As an
exception to his rule, Mr. Dwight took the keenest interest in a
performance of “Oberon”, at the Music Hall, with Madame Parepa in the
soprano part. We went to all the rehearsals. In the overture, “the horns
of elfland faintly blowing” are heard, first at a great distance, then
nearer, and last, just outside the castle gate. To produce the effect of
distance, the trumpeter was sent to a remote part of the building to
sound his horn. At the first rehearsal there was a pause at this point;
Zerrahn looked up to the part of the balcony where we sat, and asked:
“How was that?”
“Not quite faint enough,” said the oracle. “No, no, not half faint
enough,” murmured his adopted mother, much puffed up with pride.
There were other occasions at Music Hall even more exciting than the
oratorios and symphony concerts,--the prize drills and declamations of
the Boston Latin School. As my father and my brother Harry were both
Latin School boys, we felt bound to uphold this institution and look
down upon its upstart rival, the English High School.
On the floor of the Music Hall, the boys in blue presented arms, carried
arms, shouldered arms, wheeled and marched, and wheeled again. I see
their shining schoolboy faces, set and serious, their slim young bodies
strained and alert, moving in perfect rhythm to the word of command.
The galleries bloomed with schoolgirls in fresh Easter finery, gazing
eagerly down at the marching lads. The battalion had four companies that
drilled regularly during the autumn and winter, in the armory over the
old Boylston Market. In the spring the drilling took place on the
Common. The Prize Drill of the year 1871 was of especial interest on
account of the officers. The Colonel was Lester W. Clark; Adjutant,
George Monks; First Lieutenant, Francis Dumaresq; Second Lieutenant,
Henry Warren. The Colonel had borrowed, for the occasion, a gold-mounted
sword and a crimson sash; I well remember how becoming they were!
Public-domain text, read in full here on John Shaqi.
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