Beside a taste for poetry and music, the most valuable life asset I
acquired in these days was a love of art. Our house was filled with
pictures and statuary. While I do not remember either parent talking to
me about them, their influence was none the less powerful. A copy of the
Greek Clytie stood on the stairs; I loved her so much that on going up
to bed, after having kissed all the family good night, I would pause
and, if nobody were looking, reach up and kiss the cold lips of the
marble woman. A set of engravings of the Greek temples hung in my
father’s study; long before I knew what they were, I had learned to love
the Parthenon, the Temple of Victory, the Erectheum, so that when I
first saw the Acropolis at Athens I was well prepared for its glories.
Mama had inherited a number of old masters from her father’s gallery,
remembered as the first private picture gallery in the country. Of these
I liked best the Velasquez portrait of the Little Prince. There were a
dozen good Italian and Dutch pictures, all of which I studied
thoroughly, if unconsciously, for when I went to live in Italy, I found
no difficulty in attributing these pictures to their proper schools.
CHAPTER V
UNCLE SAM WARD
While proud of being a Bostonian, I had from the beginning a sort of
sneaking affection for New York. My mother, though of mixed New England
and Southern descent, was born and bred a New Yorker. Some consciousness
of these different strains of blood made me resent equally the
disparagement with which Bostonians spoke of New York, and the
condescension with which New Yorkers mentioned Boston. Like Annie in
Enoch Arden, I wanted to be “little wife to both.”
My first visit in New York was in the spring of 1863. My mother and I
stayed at Number 8 Bond Street, the home of her uncle, John Ward. Bond
Street was already unfashionably downtown, though still dignified; its
stately houses had immaculate white doorsteps. The rooms of Number 8
were large and high, the doors of heavy Santo Domingo mahogany, the
furniture Georgian, in keeping with the rest.
Uncle John was adored by my mother and her sisters, to whom he was a
second father; to me he is but a shadowy memory, not so distinct as his
brother, Uncle Richard, who lived with him. Both were very tall men;
Uncle Richard was slender, Uncle John heavily built, with a clean-shaven
face, rare in those days when the moustache was almost universal. He was
the President of the New York Stock Exchange, where his portrait by
Wensler may still be seen. Did I hear Uncle Richard say to my mother,
speaking of himself and his five brothers, all men over six feet tall?
“They were fine men, dearie! I am the least of them!”
Public-domain text, read in full here on John Shaqi.
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