The Institution was a large brick building, with a classic façade and
big white Doric columns. It stood on an elevated plateau above Broadway.
Its windows looked out over Boston Harbor; you could see the Cunard
steamers as they started on their trips to Europe, or returned, their
red smokestacks covered with snow and icicles, after a winter passage.
Strangers, noticing the blind boys and girls pacing up and down the wide
piazzas that faced seaward, often spoke of the irony of fate that gave
the school for the blind such a view. The rooms were large and well
proportioned, with extra high ceilings. The corridors were paved with
squares of gray and white marble. An imposing staircase rose, circling
round and round a deep central well, to the giddy height of five tall
stories; it still remains to me a triumph of architectural splendor.
There was a polished mahogany handrail; to the daring, no sport was
comparable to “sliding down the banisters.” This was of course strictly
forbidden. It was held among us that a slip must prove fatal; one would
fall down, down, and crash horribly upon that cold marble pavement at
the bottom.
Till little Sam was born, I was the youngest of five children; during
his short life of less than four years there were six of us: Julia,
called Romana, in memory of her birthplace, Rome; Florence, named for
our parents’ friend, Florence Nightingale; Henry Marion, in memory of
our many times great-uncle, General Francis Marion of the Revolution;
Laura, for Laura Bridgman; and little Sam, for his father. My name was
given me for no better reason than that my mother fancied it. There had
been a deal of discussion about the matter; when Tennyson’s Maud was
published, my mother clinched it by naming me for the heroine of the
poem, a fashion her friends, the William Hunts, followed by naming their
first and second daughters Elaine and Enid.
The first distinct memory I have of my father is of waking one Christmas
morning and finding myself lying in the big mahogany bed in his room. I
knew I had gone to sleep in my black walnut crib, drawn close beside my
mother’s bed in the next room. He came dancing in, with a small bundle
of clothes in his arms.
“Here is a little monkey for your Christmas present,” he cried.
The little monkey was my brother Sammy, born soon after midnight,
Christmas morning. Until his advent, I had always slept close to my
mother. I remember now the chill of disappointment, if I ever, on waking
in the dimly-lighted room, put out my hand to feel for her and found her
bed empty and cold, as on some night when she had stayed out late. The
desolate sense of her absence at first overwhelmed me; than came a
shiver of fear of the dark corners of the room, inhabited by a strange
breed of nocturnal foxes.
Public-domain text, read in full here on John Shaqi.
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