Three Great Epoch-Makers in MusicFarnsworth, Edward Clarence
History
Three Great Epoch-Makers in Music
Farnsworth, Edward Clarence
Bach, Johann Sebastian, 1685-1750; Chopin, Frédéric, 1810-1849; Strauss, Richard, 1864-1949
Comparison of the Gregorian Chants with the Wagnerian scores may bring
doubt upon this statement, but, since the advent of Richard Strauss,
it seems probable that the musician of the future will smile at the
ideals of our contemporary composers. What were the tendencies whose
centering in one master mind produced the great classical beginnings
of modern music, we would show in our estimate of Bach. The tendencies
eventuating in the free style of the romanticist, and the abandon of
the ultra school, we would indicate in our estimate of Chopin. And,
because of present tendencies, what direction tonal development will
yet take, we shall endeavor to ascertain in our estimate of Richard
Strauss.
JOHANN SEBASTIAN BACH
JOHANN SEBASTIAN BACH
I
Far down the vista of history stands the Grecian Homer, unique, and,
save for Hesiod, alone amidst the memorable years. Alone we say,
but from the view-point of his contemporaries was visible in the
background--even to the dim horizon of civilization--many an eminence
inferior only when compared with that colossal peak of Ionic song. To
every philologist, to every classical scholar, the development and
finish of the Homeric hexameter argues convincingly a poetical ancestry
of which the Iliad and the Odyssey are culmination.
The chiselled achievements of Phidias, and whatsoever else extant of
Attic sculpture, attest the attained perfection of an art in whose day
of puerility the primitive cave-dweller, with a bit of broken flint,
idly scratched upon the bones of his prey, crude semblance of man,
animal, fish, reptile and bird. The worthiest triumphs of Renaissance
painting are traceable to the cruel, warlike impulse of the savage
daubing himself to hideousness with earthy pigments and the red juice
of ripened berries. The grand creations of the German tone-builders
were evolved from the battle-yells of aboriginal tribes.
Thus in Earth's purest, highest things is exemplified the law whereby
the noble somehow emerged from the ignoble like the sweet and tinted
flower rooted in the unsavory compost: whereby also the formative
mind of man itself gained scope and symmetry, not through sudden
and strenuous exercise, but in a way comparable to the sphering and
solidifying and upbuilding of a planet, in fact, that infinitely
gradual and orderly process which Nature in her wisdom has everywhere
counterparts, as when she evolved these modern years from the
countless, non-achieving ages of unrecorded savagery; ages repulsive
with the dominant, brute passions of men.
Thus, in view of the foregoing, it may with assurance be admitted that
every genius is endowed not only by the immediate, gracious gift of
God, but also by the accumulated bequeathings of every predecessor in
the same domain of usefulness.
Public-domain text, read in full here on John Shaqi.
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