Three Great Epoch-Makers in MusicFarnsworth, Edward Clarence
History
Three Great Epoch-Makers in Music
Farnsworth, Edward Clarence
Bach, Johann Sebastian, 1685-1750; Chopin, Frédéric, 1810-1849; Strauss, Richard, 1864-1949
Because of the superabundance of producers in every department of art
and literature, and because the actual needs of the world are small in
proportion to the total output, a sifting results whereby is preserved
only that most typical of its kind. Thus of a thousand melodies popular
in their hour, one is added to a people's treasury of song. A stirring,
national anthem, or a perfect poem of tender feeling or contagious
flame, may alone preserve the memory of a prolific author. Much of what
the world once deemed great in art, as in all else, has gone to the
limbo of little things. Of the surprising bulk of poems which Byron at
thirty-six left behind him, most of the «Childe Harold,» displaying the
range and fire of his yet undimmed imagination, and the freshness and
amplitude of his characteristic, eloquent description, will live; but
«Lara» and «Cain» and such must mingle with the trodden dust. So in the
domain of music; many old-time authors of supposed masterpieces are
superceded by others of like calibre and claim. Only of him who in his
department creates a new type, or perfects an old one, can anything
approaching longevity be predicted.
To but one popular poet was it given to interpret in a hundred lyrics
the heart of his peasant Scotland. To but one English dramatist to
create for our sympathy Lear, Cordelia, Othello and Desdemona, and
to evoke from his fecund brain the philosophical musings of Hamlet,
the whimsical humor of Falstaff, the gossamer beauties of «Midsummer
Night's Dream,» and the terrible realism of Macbeth and Richard. To
but one epic poet was it given to breathe a quickening breath into the
pale shades of those mighty dead, Hector, Agamemnon, Achilles, and
many an otherwise forgotten hero. To but one musician was it given to
perfect in «The Well-tempered Clavichord» the great organ Fugue, to but
one master of his art to show the attainable in those purely classical
forms, the Symphony and the Sonata.
But what in a summary are the features of Chopin warranting his present
vogue, and assuring his future fame? They are many, and each is an
unimpeachable witness to his worth.
Public-domain text, read in full here on John Shaqi.
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