Three Heroines of New England Romance: Their true stories herein set forth by Mrs Harriet Spoffard, Miss Louise Imogen Guiney, and Miss Alice BrownBrown, Alice
General
Three Heroines of New England Romance: Their true stories herein set forth by Mrs Harriet Spoffard, Miss Louise Imogen Guiney, and Miss Alice Brown
From this point it is a pleasant walk to the old Wentworth mansion,
where Martha came, slaved and conquered, even receiving as her guest
the Father of his country. Skirt around the Point of Graves, and follow
along the water side, by the Gardiner House and its big linden, over
the bridge, and past the Proprietors’ burying-ground; everywhere it
is picturesque. From thence let the traveller follow the left fork
of the road in full view of the river for a portion of the way, and
thence pass through pine groves and between great bowlders, until,
with a sudden descent, a fair prospect seaward bursts upon the vision.
At one’s feet, toward the left, is the old house, “malformed and
delightful.” I well remember when it was venerable in appearance and in
its rooms were to be seen the old spinet, the Strafford portrait, and
many other things so delightful to the antiquary. But, alas! it now is
“spick-span” in yellow and white paint, and set back in a well-groomed
lawn.
[Illustration]
[Illustration: The Gardiner House and the Linden]
The visitor will, of course, wish to see St. John’s. It has an
interesting interior. Here is the old plate, the “Vinegar” Bible, and
other quaint and curious things. The steeple is modern. All about are
fine old houses and great spreading trees. Stoodley’s, too, one will
wish to see, where the gallant captain “fiddled far into the morning.”
It is the brick building, marked “Custom House,” and it stands at the
corner of Daniel and Penhallow streets.
[Illustration]
These are the principal points of interest connected with the life of
Martha Hilton, but Portsmouth old and quaint affords much more to which
the eye of the lover of the antique will surely turn.
[Illustration]
[Illustration]
Public-domain text, read in full here on John Shaqi.
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